Overgrowth - Helena Mattsson and Catharina Gabrielsson - Pockets and Folds

Pockets and Folds

Helena Mattsson and Catharina Gabrielsson

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An oil painting—the largest public art work in Sweden at the time—depicting the world by Sven X:et Erixon in 1957, covering the inside of a globe at the exhibition Utan Gränser (Without Borders), at The Swedish Cooperative Union, Stockholm. Photo: Sune Sundahl. Courtesy: Collection of The Swedish Centre for Architecture and Design, Stockholm.

Overgrowth
October 2018










Notes
1

Gøsta Esping-Andersen, The Three Worlds of Welfare Capitalism (Cambridge: Polity Press, 1990), 21.

2

Nancy Fraser, “Behind Marx’s Hidden Abode: For an Expanded Conception of Capitalism,” New Left Review 86 (2014).

3

Karl Marx, Capital, vol. 1, trans. Ben Fowkes (London: Penguin, 1976), 164.

4

Bengt Larsson, Martin Letell, and Håkan Thörn, “Transformations of the Swedish Welfare State: Social Engineering, Governance and Governmentality: an introduction,” in Bengt Larsson, Martin Letell, and Håkan Thörn eds., Transformations of the Swedish Welfare State: From Social Engineering to Governance? (Palgrave Macmillan, 2012), 3.

5

Ibid., 7.

6

Olof Hultin, “Architecture in Sweden 1984-89,” in Olof Hultin ed., Architecture in Sweden 1984-89 (Stockholm: Arkitektur Förlag, 1989), 7.

7

Ibid., 7–8.

8

Sven-Olov Wallenstein, op cit. 21, 24-25, 74-75.

9

Reinhold Martin, op cit, xiv.

10

See Judith O’Callaghan, “Architecture as Commodity, Architects as Cultural Intermediaries: A Case Study,” Architecture and Culture 5, 2 (2017): 221–240, and other articles in this themed issue on architecture and capitalism.