Phantasma - Kate Lacey - A Place for Listening

A Place for Listening

Kate Lacey

Arc_pha_KL_01

Photo: Nick Hillier/Unsplash

Phantasma
June 2025










Notes
1

Pierre Schaeffer, Traité des Objets Musicaux (Paris: Editions du Seuil, 1966).

2

Theodor. W. Adorno, The Culture Industry: Selected Essays on Mass Culture (London and New York: Routledge, 1991).

3

Pauline Oliveros, Deep Listening: A Composer’s Sound Practice (New York: iUniverse, 2005).

4

Jonathan Sterne, The Audible Past: Cultural Origins of Sound Reproduction (Durham, NC: Duke University Press, 2003).

5

Ruth Herbert, “Modes of Music Listening and Modes of Subjectivity in Everyday Life.” Journal of Sonic Studies 2, no. 1 (2018):1–24.

6

John Durham Peters, J.D, Speaking into the Air: A History of the Idea of Communication (University of Chicago Press, 1999), 160–1.

7

Emily Thompson, The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933 (Cambridge, MA: MIT Press, 2002); Sabine von Fischer and Olga Touloumi, "Sound Modernities: Histories of Media and Modern Architecture," The Journal Of Architecture 23, no. 6 (2018): 873–880.

8

Kate Lacey, “Auditory Capital, Media Publics and the Sounding Arts,” in The Routledge Companion to Sounding Art, eds. Barry Truax, Marcel Cobussen, and Vincent Meelberg (New York, Routledge, 2016), 213–222; Pamela Jordan “Listening Beyond the Visible,” Change Over Time, 9, no. 2 (2019), 118–13.

9

Judith Becker, "Exploring the Habitus of Listening: Anthropological Perspectives," in Handbook of Music and Emotion: Theory, Research, Applications, eds. Patrick N. Juslin and John A. Sloboda (Oxford and New York: Oxford University Press, 2010): 127–157; 129.

10

Pamela Samuelson, "Copyright and Freedom of Expression in Historical Perspective," Journal of Intellectual Property Law 10, no. 2 (2002): 319–344, esp.324–326.

11

Sterne, The Audible Past; Herbert “Modes of Music Listening”; Kate Lacey, Listening Publics: The Politics and Experience of Listening in the Media Age (Cambridge, UK: Polity: 2013).

12

Tanya Kant, Making it Personal: Algorithmic Personalization, Identity, and Everyday Life. (Oxford: Oxford University Press, 2020).

13

Lacey, Listening Publics.

14

Kate Lacey, “The Labour of Listening in Troubled Times,” Journal of Sonic Studies 24 (2023).

15

Lacey, Listening Publics.

16

Michael C. Heller, Just Beyond Listening: Essays of Sonic Encounter (Oakland, CA: University of California Press, 2024), 3.

17

Barry Blesser and Linda-Ruth Salter, Spaces Speak, Are You Listening? Experiencing Aural Architecture (Cambridge, MA: MIT Press, 2007).







Advertisement