See ➝.
Bruno Latour, Reassembling the Social: An Introduction to Actor-Network Theory (Oxford University Press, 2005).
Marshal Berman, All That is Solid Melts into Air: The Experience of Modernity (Simon and Schuster, 1982).
Jean-François Lyotard, The Postmodern Condition (Les Éditions de Minuit, 1979): 25.
Wendy Hui Kyong Chun, Programmed Visions: Software and Memory (Cambridge, MA: MIT Press, 2011): 22–23.
Frederich Kittler, Gramophone, Film, Typewriter (MIT Press, 1987): 102.
Jacques Attali, Noise: The Political Economy of Music (University of Minnesota Press, 1985): 18.
Henri Lefevbre, The Production of Space (Oxford: Blackwell, 1991): xi.
Engineering Culture: On "The Author as (Digital) Producer", eds. Geoff Cox and Joasia Krysa (Autonomedia, 2005)
Ibid., Lyotard: 25
Such practices favor legitimating discourses that explore paradoxes and anomalies, foreground the critique and destabilization of existing methodologies, and create new ones in their place. Paralogy is therefore an approach that favors dynamic tensions and heterogeneity over operativity and consensus. It is the bending of rules, the creation of new rules, and a self-reflexive awareness of the rules that govern its research and culture.
Post-Internet Cities is a collaborative project between e-flux Architecture and MAAT – Museum of Art, Architecture and Technology within the context of the Utopia/Dystopia exhibition and “Post-Internet Cities” conference, produced in association with Institute for Art History, Faculty of Social Sciences and Humanities – Universidade NOVA de Lisboa and Instituto Superior Técnico – Universidade de Lisboa, and supported by MIT Portugal Program and Millennium bcp Foundation.