Spatial Computing - Mimi Ọnụọha - The End of a World / As We Knew It

The End of a World / As We Knew It

Mimi Ọnụọha

Arc_CDP_MO_01

Mimi Ọnụọha, These Networks In Our Skin, film still, 2021.

Spatial Computing
June 2024










Notes
1

James Burke, The Day the Universe Changed (Boston: Little, Brown and Company, 1995), 7.

2

Department of Defense, “DoD News Briefing: Secretary Rumsfield and Gen. Myers,” February 12, 2002. See .

3

The full phrase, from then-Secretary of Defense Donald Rumsfeld: “Reports that say that something hasn't happened are always interesting to me, because as we know, there are known knowns; there are things we know we know. We also know there are known unknowns; that is to say we know there are some things we do not know. But there are also unknown unknowns—the ones we don't know we don't know.”

4

Nandita Sharma, “Strategic Anti-Essentialism: Decolonizing Decolonization” in Sylvia Wynter: On Being Human as Praxis, ed. Katherine McKittrick (Durham, NC: Duke University Press, 2015), 165.

5

“The Brazos” refers to the Brazos River, which is the longest river in Texas and flows through my hometown.

6

Dougald Hine, At Work in the Ruins (White River Junction: Chelsea Green Publishing, 2023), 5.

7

Édouard Glissant, Poetics of Relation (Ann Arbor: University of Michigan Press, 1997).

8

Oyèrónké Oyěwùmí, The Invention of Women: Making an African Sense of Western Gender Discourses (Minneapolis: University of Minnesota Press, 1997).

9

James Baldwin, Nobody Knows My Name: More Notes of a Native Son (New York: Vintage Books, 1993), 68.

10

Cited in Karen Barad, Meeting the Universe Halfway (Durham, NC: Duke University Press, 2007), 42, italics in the original.

11

Thomas S. Kuhn, The Structure of Scientific Revolutions (Chicago: University of Chicago Press, 2012), 65, italics in the original.

12

Edward W. Said and Jean Mohr, After the Last Sky: Palestinian Lives (New York: Columbia University Press, 1999).

13

I think of poet-theorist Christina Sharpe’s description of “the wake,” the place of fundamental contradiction where one “occup{ies} and {is} occupied by the continuous and changing present of slavery’s as yet unresolved unfolding.” Christina Sharpe, In the Wake: On Blackness and Being, (Durham, NC and London, UK: Duke University Press, 2016), 13–14.