David Berry, ”The Post-Archival Constellation: The Archive under the Technical Conditions of Computational Media”, in Ina Blom, Trond Lundemo and Eivind Røssaak eds., Memory in Motion. Archives, Technology and the Social (Amsterdam: Amsterdam University Press, 2016), 112-113
Philippe Parreno, ”Snow Dancing, in Speech Bubbles (Paris: Les presses du réel, 2001), 40–63. I am indebted to Jörn Schaffaf’s thourough description of all aspects of the entire Snow Dancing project in Philippe Parreno. Angewandtes Kino (Cologne: Walter König, 2010).
Lisa Blackman and Janet Harbord, “Technologies of Mediation and the Affective: A Case-study of the Mediated Environment of MediacityUK", in Deborah Hauptmann and Warren Neidich eds., Cognitive Architecture. From Biopolitics to Noopolitics (Rotterdam: 010 Publishers, 2010), 303–321
Luciana Parisi. Contagious Architectur. Computation, Aesthetics, and Space (Cambridge: The MIT Press, 2013), ix- xviii and 1-71
Jonathan Sheehan and Dror Wahrmann, Invisible Hands. Self-Organization and the Eighteenth Century (Chicago: The University of Chicago Press, 2015).
Superhumanity, a project by e-flux Architecture at the 3rd Istanbul Design Biennial, is produced in cooperation with the Istanbul Design Biennial, the National Museum of Modern and Contemporary Art, Korea, the Govett-Brewster Art Gallery, New Zealand, and the Ernst Schering Foundation.