This is the subject of a forthcoming book by Peggy Phelan, Death Rehearsals: The Performances of Andy Warhol and Ronald Reagan.
On the relation between signatures and the notion of an anthology of existences, see Michel Foucault, “Lives of Infamous Men.” In Paul Rabinow ed., The Essential Foucault: 1954-1984 (New York: The New Press, 1994), 157–175.
On the history of the artist’s signature, see Nicole Hegener, Künstlersignaturen von der Antike bis zur Gegenwart: Artists’ signatures from Antiquity to the present (Petersberg: Imhof, 2013).
For a historical account of the exhibit, see Gustave Fraipont, Histoire de l’habitation humaine: Constructions édifiées par Charles Garnier (Paris: 1998-90).
See Charles Garnier and Auguste Ammann, L’Habitation humaine, (Paris: La Librarie modern, 1892).
Peter Eisenman’s official archive is held at the Canadian Center for Architecture.
Robert Venturi’s professional archive forms part of The Venturi Scott Brown Collection, held in The Architectural Archives, University of Pennsylvania.
This particular sheet is misfiled and located among the papers concerned with the Guild House. On the completion, see Robert Venturi, “3 Projects,” Perspecta, Vol. 11, 1967: 103–111.
Superhumanity, a project by e-flux Architecture at the 3rd Istanbul Design Biennial, is produced in cooperation with the Istanbul Design Biennial, the National Museum of Modern and Contemporary Art, Korea, the Govett-Brewster Art Gallery, New Zealand, and the Ernst Schering Foundation.