Sesc São Paulo

About

Sesc São Paulo

Sesc SP | Visual Arts and Technology Department
991 Álvaro Ramos Avenue
São Paulo-
03331-000
Brazil

Hours:
Monday–Friday 10am–8pm

T +55 11 2607 8024
F +55 11 2607 8024
exposicoes@sescsp.org.br

January 19, 2021

Sesc São Paulo

Oficina Molina-Palatnik

December 16, 2020

Members of the Colectivo Ayllu. Courtesy of the artistic collective.

Sesc São Paulo

Subaltern Practices-Oriented Program (POPS) / Programa Orientado a Práticas Subalternas (POPS)

December 3, 2020

Rosana Paulino, Untitled, from the series “Bastidores,” 1997. Courtesy of the artist.

Sesc São Paulo

Transbordar: Transgressions of Embroidery in Art

November 19, 2020

Shila Joaquim, O martírio de Nossa Senhora do Brasil, 2019. Photo: Isabella Matheus.

Sesc São Paulo

The Bienal Naïfs do Brasil: Material Wealth from a Deep Brazil

November 5, 2020

View of FARSA. Língua, fratura, ficção: Brasil-Portugal, Brazil, 2020. Photo: Ilana Bessler.

Sesc São Paulo

FARSA. Language, fracture and fiction: Brazil-Portugal

September 17, 2020

Sesc São Paulo

Frestas – Triennial of Arts 3rd edition
The River is a Serpent

April 23, 2020

Entrevendo – Cildo Meireles [Glimpsing – Cildo Meireles] exhibition view at Sesc Pompeia, 2019. Photo: Everton Ballardin.

Sesc São Paulo

Online now: publications about past exhibitions

March 16, 2020

Kader Attia, Réfléchir la Mémoire / Reflecting Memory, 2016. Single-channel HD digital video projection, colour, sound, 48:01 min. Courtesy of the artist, Galleria Continua, Galerie Krinzinger, Lehmann Maupin and Galerie Nagel Draxler. Photo: Kader Attia

Sesc São Paulo

Kader Attia at Sesc Pompeia: Social Repairs, from Human Being to Culture

February 20, 2020

Sesc 24 de Maio. Photo: Alexandre Nunis - Sesc SP.

Sesc São Paulo

Infinite Span: 90 Years of Brazilian Architecture

December 18, 2019

Anna Bella Geiger, Brasil nativo/ Brasil alienígena [Native Brazil/Alien Brazil], 1976–1977. 18 postcards, 10 × 15 cm (each). Collection of the artist, Rio de Janeiro, Brazil.

Sesc São Paulo

Anna Bella Geiger: Native Brazil/Alien Brazil

December 4, 2019

Sesc São Paulo

21st Contemporary Art Biennial Sesc_Videobrasil

November 29, 2019

Vicente Lima, Capitão Brasil [Captain Brazil], 2018. Photo: Isabella Matheus.

Sesc São Paulo

Mostra de Arte da Juventude (MAJ)

November 14, 2019

21st Contemporary Art Biennial Sesc_Videobrasil Award

Sesc São Paulo

21st Contemporary Art Biennial Sesc_Videobrasil
Imagined Communities

October 31, 2019

Sesc São Paulo

EntreMeadas

October 8, 2019

Sesc São Paulo

21st Contemporary Art Biennial Sesc_Videobrasil
Imagined Communities

September 8, 2019

Sesc São Paulo

21st Contemporary Art Biennial Sesc_Videobrasil
Imagined Communities

August 30, 2019

Cildo Meireles, Amerikkka, 1991/2013. Artist's collection. Photo: Galerie Lelong.

Sesc São Paulo

Entrevendo - Cildo Meireles

July 15, 2019

Sebastião Salgado, Serra Pelada Gold Mine, 1986. © Sebastião Salgado.

Sesc São Paulo

Sebastião Salgado: historical and leftover bodies

June 28, 2019

Sesc São Paulo

From the Body to the Landscape: A Critical Perspective on Woodcut in São Paulo, Brazil

May 31, 2019

Sesc São Paulo

À Nordeste: for new ideas from a plural place

April 30, 2019

Sesc São Paulo

William Forsythe
Choreographic Objects

March 29, 2019

(1) Daniel Escobar, The Art of Conversation, 2012-2017. (2) On Kawara, One Million Years, 2009 and One Million Years, 1999. (3) Maria Thereza Alves, A Full Void, 2017. © Adriano Sobral. Images from the 2017 edition of Frestas – Triennial of Arts.

Sesc São Paulo

Frestas – Triennial of Arts announces curatorship of 3rd edition

March 15, 2019

Rachel Rose, Palisades in Palisades, 2014. Video-installation, color, sound, 10:29 minutes. Courtesy by the artist and Pilar Corrias Gallery, London.

Sesc São Paulo

Time Kills: Moving Image from the Julia Stoschek Collection

February 28, 2019

Sesc São Paulo

Contemporary Art Biennial Sesc_Videobrasil announces participants of the 21st edition
Imagined Communities

February 14, 2019

Cristiano Mascaro, Ponte pedonal em Covilhã.

Sesc São Paulo

Cristiano Mascaro’s Photography: As Far As the Eye Can See

December 5, 2018

Sesc São Paulo

Fields of Invisibility

November 14, 2018

Sesc São Paulo

Alberto Manguel and Robert Lepage
The Library at Night

October 29, 2018

Sesc São Paulo

Laurie Anderson
Chalkroom

October 2, 2018

Sesc São Paulo

Lasar Segall: Essay on Color

September 2, 2018

Courtesy Sesc Pompeia - São Paulo, Brazil.

Sesc São Paulo

Vehicle-art: the strategies of art in relation to the communication media

August 16, 2018

Alex dos Santos, A Violência Contra Mulher, 2018. Elza Mendes Pereira (AZLEMP), Quando Impera O Egoísmo, 2018. Carlos Augusto Calderari, Vendedor e Pedinte, 2018. Marcos Akasaki, Bicho, 2017. Carmela Pereira, Estante de escultura, 1998–2008. Pituko Waiãpi, Tabocal, 2010.

Sesc São Paulo

That which escapes: the 14th Naïfs Biennial of Brazil

August 2, 2018

(1) Vjenceslav Richter, (L-R): AsBsCsDs (Systemic Print), 1972; AnBsCnDn (Systemic Print), 1972; C4 (Systemic Print), 1970; SIG 6, Bbbba (Systemic Print), 1970. All silkscreen on paper. Collection of the Museum of Contemporary Art in Zagrzeb. (2) Mira Schendel, Ondas Paradas de Probabilidade (Still waves of probability), 1969 / 2017. Nylon thread, polywood, text on acrylic sheet. Photo: Courtesy of Mira Schendel Estate and Hauser & Wirth. (3) Magdalena Więcek, Volatile (1, 2, 3, 5), 1970. Brass. Courtesy of Daniel Wnuk.

Sesc São Paulo

The Other Trans-Atlantic: Kinetic and Op Art in Eastern Europe and Latin America 1950s – 1970s

July 6, 2018

Courtesy Servico Social do Comercio - Sesc.

Sesc São Paulo

21st Contemporary Art Biennial Sesc_Videobrasil
Imagined Communities

June 4, 2018

Sesc São Paulo

Yoyo – What Goes Around Comes Around

May 13, 2018

Bill Viola, "Martyr Series," 2014. Video. Photos: Kyra Perov.

Sesc São Paulo

Bill Viola
Visions of Time

April 27, 2018

Sesc São Paulo

Places of Delirium

April 3, 2018

[1] Antonio Dias, Você escapando, 1964 [2] Geraldo de Barros, Eating each other, 1995 [3] Rubens Gerchman, Futebol, 1965.

Sesc São Paulo

Between Construction and Appropriation: Antonio Dias, Geraldo de Barros, Rubens Gerchman in the ‘60s

March 2, 2018

Exhibition views of [1] Travessias Ocultas – Lastro Bolívia (Hidden Crossings –Bolivia Bound). [2] Jamaica, Jamaica!. [3] Lugares do Delírio (Places of Delirium). [4] Yoyo, tudo que vai, volta (Yoyo, everything that goes around, comes around).

Sesc São Paulo

Sesc SP 2018: art in perspective

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