BAK, basis voor actuele kunst

About

Pauwstraat 13a
3512 TG Utrecht
the Netherlands

T +31 30 231 6125
info@bakonline.org

March 9, 2020

Courtesy European Forum for Advanced Practices (EFAP)

BAK, basis voor actuele kunst

The European Forum for Advanced Practices (EFAP)

February 15, 2020

Tony Cokes, Evil.27:Selma, Greene Naftali, New York, 2011. Courtesy of the artist; Greene Naftali, New York; Hannah Hoffman, Los Angeles; and Electronic Arts Intermix, New York. Photo: Gustavo Murillo Fernandez-Valdes.

BAK, basis voor actuele kunst

To Live as Equals

January 16, 2020

Cover image: Forensic Architecture, Investigation into the Murder of Pavlos Fyssas (still), 2018 (detail). Video. Design: Sean van den Steenhoven for Leftloft, Milan.

BAK, basis voor actuele kunst

Out now: Propositions for Non-Fascist Living: Tentative and Urgent

November 21, 2019

BAK, basis voor actuele kunst

Propositions #10: Instituting Otherwise

October 24, 2019

During the training Unforgetting & Reconnecting: Story Mapping with Nancy Jouwe and Denise Valentine, September 2019 at BAK, part of project Trainings for the Not-Yet.

BAK, basis voor actuele kunst

Propositions #9: Deserting from the Culture Wars

September 23, 2019

BAK 2018/2019 Fellows Patricia Kaersenhout and Lukáš Likavčan, The Thread and the Gap, performed during the event Propositions for Non-Fascist Living #8: I Wanna Be Adored (the Non-Fascist Remix), organized by the BAK 2018/2019 Fellows and BAK, basis voor actuele kunst, photo: Tom Janssen

BAK, basis voor actuele kunst

Announcing the Post-Academic BAK 2019/2020 Fellows

September 9, 2019

Jeanne van Heeswijk, Works, Typologies and Capacities. Courtesy Jeanneworks.

BAK, basis voor actuele kunst

Trainings for the Not-Yet

June 25, 2019

Courtesy Studio Jeanneworks, Rob Godfried, and Fouad Hallak.

BAK, basis voor actuele kunst

Trainings for the Not-Yet

June 11, 2019

Design: Sean van den Steenhoven for Leftloft, Milan.

BAK, basis voor actuele kunst

Propositions #8: I Wanna Be Adored (the Non-Fascist Remix)

January 31, 2019

Isshaq Al-Barbary and Diego Segatto (Campus in Camps), and Pelin Tan, “Autonomous Infrastructure and Stories of Hospitality,” conversation as part of Propositions #1: What We Mean, BAK, basis voor actuele kunst, 2017.

BAK, basis voor actuele kunst

BAK 2019/2020 Fellowship

October 25, 2018

BAK 2018/2019 Fellow Katayoun Arian presents her research trajectory to the other BAK Fellows, BAK team, and students of HKU University of the Arts Utrecht, Utrecht at the first Fellows Workshop of the 2018/2019 program. Courtesy BAK, basis voor actuele kunst, Utrecht.

BAK, basis voor actuele kunst

Announcing the BAK Post-Academic Program 2018/2019 Fellows

October 9, 2018

The project file for the investigation of the murder of Pavlos Fyssas, a young Greek rapper who was killed by Golden Dawn (September 2013). Courtesy Forensic Architecture.

BAK, basis voor actuele kunst

Forensic Architecture
Forensic Justice and Propositions #7: Evidentiary Methods

April 24, 2018

Doug Ashford, Bunker 2, 2017. Courtesy of the artist and Wilfried Lentz Rotterdam.

BAK, basis voor actuele kunst

First Person Plural

March 12, 2018

BAK, basis voor actuele kunst

Propositions #4: Unpacking Aesthetics and the Far Right

February 28, 2018

BAK, basis voor actuele kunst

BAK Fellowship 2018/2019

January 18, 2018

Matthijs de Bruijne, Migrant Domestic Workers FNV Demonstration: 100.000 Families Trust Us, 2013. Photo: Matthijs de Bruijne.

BAK, basis voor actuele kunst

Matthijs de Bruijne
Matthijs de Bruijne: Compromiso Político

November 14, 2017

Studio Jonas Staal and DiEM25, New Unions: DiEM25, Athens, 2017. Yanis Varoufakis lectures in the New Unions: DiEM25, Athens installation in the Sporting Basket Arena, Athens. Photo: Jonas Staal.

BAK, basis voor actuele kunst

Propositions #2: Assemblism

September 21, 2017

BAK, basis voor actuele kunst

Propositions #1: What We Mean

June 6, 2017

Design: Kummer & Herrman. Cover: Marion von Osten, spatial arrangement for Atelier Europa: A Small Post-Fordist Drama, 2004. Research and exhibition project, installation view Kunstverein München, Munich. Photo: Dorothee Richter.

BAK, basis voor actuele kunst

Marion von Osten: Once We Were Artists

March 9, 2017

Design: Mevis & Van Deursen. Artwork detail: Július Koller, Question Mark Cultural Situation (U.F.O.), 1992. White latex on ready-made textile. Collection mumok, Vienna. Courtesy of Július Koller Society, Bratislava and mumok, Vienna.

BAK, basis voor actuele kunst

Former West: Art and the Contemporary After 1989

February 22, 2017

BAK, basis voor actuele kunst

To Seminar

November 21, 2016

Taped individual programs with headsets, open classroom, Granada Community School, Belvedere-Tiburon, California. Photo: Rondal Partridge. Source: Robert Propst, High School: The Process and the Place, ed. Ruth Weinstock (New York: Educational Facilities Laboratories, 1972).

BAK, basis voor actuele kunst

Learning Laboratories

September 12, 2016

Image courtesy of Nicoline van Harskamp.

BAK, basis voor actuele kunst

Nicoline van Harskamp
Englishes

January 31, 2016

Stefanos Tsivopoulos, Geometry of Fear (still), 2012. Film. Courtesy of the artist and Kalfayan Galleries Athens / Thessaloniki.

BAK, basis voor actuele kunst

Unstated (or, Living Without Approval)

January 17, 2016

Design: Remco van Bladel. Demonstration in Amude on October 31, 2015, Cezîre Canton, Rojava, Western Kurdistan (Syria). Photo: Jonas Staal.

BAK, basis voor actuele kunst

New World Summit: Stateless Democracy

September 27, 2015

BAK, basis voor actuele kunst

Future Publics (The Rest Can and Should Be Done by the People): A Critical Reader in Contemporary Art

September 5, 2015

BAK, basis voor actuele kunst

"Art and Labor after the End of Work"

July 30, 2015

BAK

Ursula Biemann and Paulo Tavares

May 19, 2015

New World Academy Reader #5: Stateless Democracy. Design: Remco van Bladel.

BAK

New World Academy Reader #5: Stateless Democracy, realized with Kurdish Women’s Movement

April 20, 2015

BAK

"There is a Crack in the Museum of History. Is That How the Future Gets in?"

March 26, 2015

Jonas Staal, Anatomy of a Revolution—Rojava, 2015. Classroom for education of the People’s Defense Units (YPG), Rojava, Western Kurdistan (Syria).

BAK

New World Academy exhibition and conference at Centraal Museum, Utrecht

January 31, 2015

BAK

Who is a “People?” Constructions of the “We”: FORMER WEST Public Editorial Meeting at Goldsmiths College, London

January 16, 2015

COP19, United Nations Climate Change Conference, Warsaw, 2013. Photo: Giulia Bruno and Armin Linke.

BAK

Anthropocene Observatory

November 16, 2014

Alice Creischer, In the Stomach of the Predators (still), 2012/2013. Film. Courtesy of KOW, Berlin.

BAK

Alice Creischer and Andreas Siekmann

August 25, 2014

Indications of the borders of Azawad in the middle of the desert, 2014. Photo: Moussa Ag Assarid.

BAK

New World Embassy: Azawad by Moussa Ag Assarid and Jonas Staal

May 13, 2014

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Other Survivalisms: FORMER WEST public editorial meeting

February 10, 2014

Aernout Mik, Untitled, 2013. Performance in the context of FORMER WEST: Documents, Constellations, Prospects realized by BAK and Haus der Kulturen der Welt in Berlin, 18–24 March 2013. Photo: Florian Braun.

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Future Vocabularies/Survival/

November 1, 2013

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BAK, basis voor actuele kunst hosts the New World Academy by Jonas Staal

September 23, 2013

Photograph on cover: Daniel Baker, Occupy London, 2012.

BAK

We Roma: A Critical Reader in Contemporary Art

May 12, 2012

Schematic itinerary made by Alexandre Kojève
depicting his travels through the Netherlands in 1946.*

BAK

After History: Alexandre Kojève as a Photographer

February 14, 2012

Cover, Rabih Mroué: A BAK Critical Reader in Artists’ Practice.

BAK

Release of Rabih Mroué: A BAK Critical Reader in Artists’ Practice and new publication line

January 28, 2012

Christoph Schlingensief, “Ausländer raus—Bitte liebt Österreich”, 2000.
Photo collage: Paul Poet

BAK

Christoph Schlingensief: Fear at the Core of Things

September 29, 2011

Hendrik van den Eijnde, allegory of Europe, 1924, bluestone sculpture from a series located in the main Post Office in Utrecht, slated for closure in fall 2011.
Photo: Johannes Schwartz

BAK

The exhibition Spacecraft Icarus 13

August 15, 2011

Irene Kopelman, “50 Metres Distance or More,” 2010.

BAK

Irene Kopelman, The Molyneux Problem

January 18, 2011

BAK

Olga Chernysheva: In the Middle of Things

September 5, 2010

Runo Lagomarsino & Johan Tirén, “Waiting for the Demonstration at the Wrong Time,” 2003/2007

BAK

Group exhibition Vectors of the Possible

May 18, 2010

Rabih Mroué
Je Veux Voir, 2010
Video still

BAK

Rabih Mroue I, the Undersigned

April 9, 2010

Musée de la danse/Le Garage, Rennes
Design: GUI−Benjamin Gomez

BAK

expo zéro

January 21, 2010

BAK

Lawrence Weiner “Dicht Bij”

December 8, 2009

BAK

New BAK Critical Reader: The Return of Religion and Other Myths

August 28, 2009

Plus valoarea [Surplus Value], 2009
Performance
Super 8, 4:50 min., film still

BAK

Mona Vatamanu & Florin Tudor

December 1, 2008

BAK

The Return of Religion and Other Myths

September 20, 2008

Artur Żmijewski
Repetition, 2005, installation view, collection Van Abbemuseum, Eindhoven (photo: Peter Cox).

BAK

Artur Zmijewski

July 12, 2008

Cover image of the latest publication in the BAK Critical Reader Series
On Knowledge Production: A Critical Reader in Contemporary Art.

BAK

seeks new Curator

August 29, 2007

BAK

BAK Presents Solo Exhibition of Kutlug Ataman

March 8, 2007

Lucky Day, 2006, film still, Courtesy Gallery Martin Janda, Vienna and gb agency, Paris

BAK

Roman Ondák: The Day After Yesterday

December 7, 2006

BAK

Concerning “Knowledge Production”

September 29, 2006

BAK

Aernout Mik

November 4, 2005

BAK

Concerning War

December 9, 2004

BAK

‘episode 3, Who if not we should at least try to imagine the future of all this?

October 29, 2003

BAK

Now What? Dreaming a better world in six parts

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