Australian Centre for Contemporary Art (ACCA) - Clients - e-flux

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Australian Centre for Contemporary Art (ACCA)

111 Sturt Street, Southbank
Melbourne VIC 3006
Australia

March 25, 2021

Yhonnie Scarce, Prohibited Zone, Woomera 2021. Research photograph. Courtesy the artist and THIS IS NO FANTASY.

Australian Centre for Contemporary Art (ACCA)

Yhonnie Scarce
Missile Park

February 18, 2021

View of Overlapping Magisteria: The 2020 Macfarlane Commissions, 2020–21 at Australian Centre for Contemporary Art, Melbourne. Photo: Andrew Curtis.

Australian Centre for Contemporary Art (ACCA)

2021 exhibition program

December 4, 2020

Isadora Vaughan, Bilirubin Bezoar, 2019. Installation detail, Gertrude Glasshouse, Melbourne 2019. Courtesy the artist and STATION, Melbourne. Photo: Christo Crocker.

Australian Centre for Contemporary Art (ACCA)

Overlapping Magisteria

October 27, 2020

David McDiarmid, That's Miss Poofter to you Asshole 1994. Computer generated colour laser print, 36.6 x 27.5 cm. National Gallery of Australia, Canberra, purchased 1995.

Australian Centre for Contemporary Art (ACCA)

Defining Moments: Australian Exhibition Histories 1968-1999

May 25, 2020

Jenny Watson, A painted page 1: Twiggy by Richard Avedon, 1979. Oil on canvas. National Gallery of Victoria, Melbourne, Michell Endowment, 1982. © the artist.

Australian Centre for Contemporary Art (ACCA)

Defining Moments: Australian Exhibition Histories 1968–1999

January 28, 2020

Image: Derek Swalwell.

Australian Centre for Contemporary Art (ACCA)

2020 exhibition program

December 5, 2019

Tianzhuo Chen and Andrew Thomas Huang, Exo-Performance / Beio (still), 2019. Three channel video, 5:43 mins. Courtesy the artists and BANK / MAB SOCIETY, Shanghai.

Australian Centre for Contemporary Art (ACCA)

Feedback Loops

September 12, 2019

Haroon Mirza, Pavilion for Optimisation, 2013. Installation view, Museum Tinguely, Basel, 2015. © Museum Tinguely, Basel. Photo: Bettina Matthiessen.

Australian Centre for Contemporary Art (ACCA)

Haroon Mirza
The Construction of an Act

June 28, 2019

Linda Marrinon, Rock with underpants, 1992. Bluestone and cotton, 31.5 x 22.5 13.0 cm. Private collection, Melbourne. Photograph: Andrew Curtis.

Australian Centre for Contemporary Art (ACCA)

On Vulnerability and Doubt

April 6, 2019

Tom Nicholson, Comparative monument (Shellal) 2014-17 (detail). Glass tesserae mosaics, wooden boxes, two-channel digital video, colour, sound, installation dimensions variable. Collection: Art Gallery of New South Wales. Contemporary Collection Benefactors and Patrick White Fund 2017. Image courtesy the artist. Photo: Christian Capurro

Australian Centre for Contemporary Art (ACCA)

Tom Nicholson
Public Meeting

March 15, 2019

Honey Aunt Dreaming streetscape, aerial view, Papunya Community. Photo: Max Stollznow, 1976.

Australian Centre for Contemporary Art (ACCA)

Defining Moments: Australian Exhibition Histories 1968-1999

December 13, 2018

Anna Breckon and Nat Randall, Rear view, 2018. Production still. Photo: Ross Turley. Courtesy the artists.

Australian Centre for Contemporary Art (ACCA)

The Theatre is Lying

September 29, 2018

Eva Rothschild, Border 2018. Painted concrete, wood, foam, polystyrene,  172.0 x 242.0 x 32.0 cm. Courtesy the artist and Stuart Shave / Modern Art, London.

Australian Centre for Contemporary Art (ACCA)

Eva Rothschild
Kosmos

July 5, 2018

Robert Fielding, Objects of origin 4, 2018. C-type print on dibond, 110 x 165 cm. Courtesy the artist and Mimili Maku Arts, Mimili Community, South Australia.

Australian Centre for Contemporary Art (ACCA)

A Lightness of Spirit is the Measure of Happiness

April 21, 2018

Chelsea Culprit, Charm bracelet, 2017. Neon, 120 cm x 330 cm. Courtesy of BWSMX, Mexico City.

Australian Centre for Contemporary Art (ACCA)

Dwelling Poetically: Mexico City, a case study

December 14, 2017

Australian Centre for Contemporary Art, Melbourne. Photo: Derek Swalwell.

Australian Centre for Contemporary Art (ACCA)

2018 program

November 20, 2017

Sarah Goffman, I am with you (detail), 2017. Cardboard, permanent marker, approx. 700 x 700 cm. Courtesy the artist. Photo: Andrew Curtis.

Australian Centre for Contemporary Art (ACCA)

Unfinished Business

October 13, 2017

View of Kader Attia, The Culture of Fear: An Invention of Evil, 2013, Australian Centre for Contemporary Art, Melbourne, 2017. Metal shelves, antique magazines, books, metal screws. Courtesy the artist, Galerie Nagel Draxler, Berlin/Cologne and Lehmann Maupin, New York and Hong Kong. © the artist. Photo: Andrew Curtis.

Australian Centre for Contemporary Art (ACCA)

La Colonie (SUD)

July 3, 2017

Goldin+Senneby, Standard Length of a Miracle, 2016, with Jonas Hassen Khemiri (author), Behnaz Aram (costume designer), Moa Ott (carpenter), Samir Al-Nehlaoui (arborist). Installation view at Tensta Konsthall, Stockholm. Courtesy the artists. Photo: Jean-Baptiste Béranger.

Australian Centre for Contemporary Art (ACCA)

Greater Together

April 2, 2017

Claire Lambe, Mother Holding Something Horrific, 2016–17. Production still. Courtesy the artist and Sarah Scout presents.

Australian Centre for Contemporary Art (ACCA)

Claire Lambe
Mother Holding Something Horrific

January 9, 2017

View of Sovereignty, ACCA, 2016. Photo: Andrew Curtis.

Australian Centre for Contemporary Art (ACCA)

Sovereignty

March 30, 2015

Photo: Derek Swalwell.

Australian Centre for Contemporary Art (ACCA)

Seeking Artistic Director

About March 25, 2021 February 18, 2021 December 4, 2020 October 27, 2020 May 25, 2020 January 28, 2020 December 5, 2019 September 12, 2019 June 28, 2019 April 6, 2019 March 15, 2019 December 13, 2018 September 29, 2018 July 5, 2018 April 21, 2018 December 14, 2017 November 20, 2017 October 13, 2017 July 3, 2017 April 2, 2017 January 9, 2017 March 30, 2015