Niklas Taleb’s “Solo Yolo”
              Marcus Verhagen
              The photographs in the first UK show of the Essen-based artist Niklas Taleb describe intervals and cadences rather than people or events. In particular, they outline the rhythms of the home: most of them show the artist’s apartment, where, it would seem, time passes slowly. Arranged in a spare hang across the gallery’s two small-ish spaces, these are reserved images in which rooms feature more prominently than the family inhabiting them. Often untitled yet all dated 2023, they are populated by toys and crockery, computer screens, flowers, and mementos. The remains of a snack sit on a carpet, multicolored building blocks are balanced on the rim of a drawer, snapshots of relatives are tucked in the gilt frame of an old print. In their reticence, these glimpses into the day-to-day life of a household leave viewers to establish what narrative and thematic continuities they can. The family itself is largely offstage. The shadow above the building blocks may be the artist in silhouette. Elsewhere, a woman, his partner perhaps, files an infant’s fingernails, but only their hands are visible. Social life makes a marginal appearance in two pictures of visitors absorbed in their own thoughts. In the liveliest scene here, …

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