Cathryn Drake
              To the extent that repetition signifies a failure to progress, it is anathema to our industrious modern society. Yet the word embodies a paradox: in every iteration there is a difference, if only because it occurs in a different moment, a movement forward in time and space. Repetition gives us another chance. The group show “Repetitions”—featuring artworks by Nikos Alexiou, Beppe Caturegli, Panos Charalambous, Thalia Chioti, Maria Ikonomopoulou, Alekos Kyrarinis, Christina Mitrentse, Nina Papaconstantinou, Nikos Podias, Efi Spyrou, and Myrto Xanthopoulou—presents meditations on the theme. The repetetive manual processes involved in the making of some of these works seem to express transformations more spiritual than physical, detected visually, if at all, in barely perceptible marks on the surfaces or slight irregularities in form. Nikos Podias’s Fragment (2022) is a delicate lattice constructed of fragile found papers such as teabags, with stains derived from rose petals and black tea evoking the “blood, sweat, and tears” commonly attributed to acts of painstaking creation. The even more ephemeral Black Curtain (2007–8), a delicate structure of reeds, paper, and string by the late Nikos Alexiou suspended on the wall nearby, is a tense yet tenuous membrane that seems to hover on the thresholds of …

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