Mexico City Roundup
              Terence Trouillot
              The title of Jim Ricks’s painting, I’m So Bored with the U.S.A. (2019)—borrowed from the Clash song—might be taken as a comment on how pervasively Mexico City’s Art Week has, in recent years, been dominated by the country’s relationship with its northern neighbor. This teal-colored canvas, the text of its title painted neatly against the surface in a sans-serif font, hangs at Daniela Elbahara gallery among a collection of the artist’s playful and witty works interrogating the structures of democracy and resistance. “This is What Democracy Looks Like” is the first painting show for the US-born Irish artist, whose conceptual work often incorporates sculpture and performance. The exhibition uses humor to lay bare the absurdity and hypocrisy of US politics, and to question the amount of attention paid to the country by the rest of the world. Perhaps partly in anticipation of the cancellation of Art Basel Hong Kong, a surplus of American and European dealers and collectors were present during this major week of art fairs, gallery openings, and museum exhibitions. Pia Camil’s exhibition “Ríe ahora, llora después” [Laugh Now, Cry Later] was particularly popular with both visitors and locals. For her second solo show at Galería OMR, the …

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