The history of the Polish Pavilion at the São Paulo Biennial dates back to the Biennial’s outset. In 1957, Mieczysław Porębski commissioned Oskar Hansen to design the renowned Polish Pavilion for the 5th São Paulo Biennial in cooperation with Zofia Hansen and Lech Tomaszewski. Their work resulted in a light, flexible structure of canvas and steel, nicknamed “the fan” by its architect, which was sensitive to the gusts of wind, creating the impression that the building was breathing. The plain-colored, undulating surface generated a “perceptive background” to highlight the machinery showcased at the fairs and emphasized the impact of natural forces. In 2004, Poland was represented by Piotr Uklanski, who created a portrait of Pope John-Paul II (Karol Wojtyla) to address the historical, cultural, and religious legacies of the Catholic Church in Brazil and Poland. Over the years, each project has attempted to reflect on the desire to connect and broaden cultural ties between the two countries.