Shelly Silver, Baby, It's Cold Outside

Shelly Silver, Baby, It's Cold Outside

Shelly Silver, What I'm Looking For (still), 2004, 15 minutes.

Bar Laika presents
Shelly Silver, Baby, It's Cold Outside
Date
January 24, 2019, 9pm–12am
Bar Laika by e-flux
224 Greene Avenue
Brooklyn NY 11238
USA

Bar Laika is pleased to present Baby, It's Cold Outside, an evening of shorts on sex, protuberances, and power by Shelly Silver. 

Turn, 2018, 3 minutes
Getting in, 1989, 3 minutes
What I’m Looking For, 2004/2005, 15 minutes 
We, 1990, 4 minutes
1, 2001, 3:12 minutes
The Lamps, 2015, 4:14 minutes

Shelly Silver is a New York-based artist working with the still and moving image. Her work explores contested territories between public and private, narrative and documentary, and—increasingly in recent years—the watcher and the watched. She has exhibited worldwide, including at the Museum of Modern Art in New York, Tate Modern, Centre Georges Pompidou, the Museum of Contemporary Art in Los Angeles, the Yokohama Museum, the London ICA, and the London, the Singapore, New York, Moscow, and Berlin Film Festivals. Silver has received fellowships and grants from organizations such as the John Simon Guggenheim Foundation, the NEA, NYSCA, NYFA, the Jerome Foundation, the Japan Foundation and Anonymous was a Woman. Her films have been broadcast by BBC/England, PBS/USA, Arte/Germany, France, Planete/Europe, RTE/Ireland, SWR/Germany, and Atenor/Spain, among others, and she has been a fellow at the DAAD Artists Program in Berlin, the Japan/US Artist Program in Tokyo, Cité des Arts in Paris, and at the Lower Manhattan Cultural Council. Silver is Associate Professor and Director of Moving Image, Visual Arts Program, School of the Arts, Columbia University.

For more information, contact laika@e-flux.com.

Category
Film

Shelly Silver is a New York based filmmaker and artist working with the still and moving image. Her work explores contested territories between public and private, narrative and documentary, and–increasingly in recent years–the watcher and the watched. Spoken and written language, collaged narratives, framings in time and space, all become clues into shifting locations of power, identity and desire. To speak and to listen, to look and let oneself be seen, is, or should be a pleasure, and like all pleasures, tinged with ambiguity and risk. Silver’s practice is a labor of attention.

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