Liam Gillick, Pelin Tan

Liam Gillick, Pelin Tan

Liam Gillick, Pelin Tan (still), 2019. Film, 27:54 minutes. 

Bar Laika presents
Liam Gillick, Pelin Tan
Date
January 30, 2020, 9pm
Bar Laika by e-flux
224 Greene Avenue
Brooklyn NY 11238
USA

Liam Gillick, Pelin Tan, 2019, 27:54 minutes
For Matera European City of Culture 2019, Pelin Tan researched labour conditions and the new sense of place and community that began with the Riforma Agraria in 1950: from the exodus from Matera’s Sassi to the newly built neighbourhoods in the decades that followed to the re-occupation of the Sassi by left-wing activists in the 1970s, and the contemporary arrival of migrants via the Mediterranean today. 

Pelin Tan is a sociologist and art historian, the sixth recipient of the Keith Haring Fellowship in Art and Activism (2019 - 2020), and research fellow of the Center for Arts, Design, and Social Research (Boston). Tan is involved in artistic and architectural projects that focus on urban conflict, territorial politics, and conditions of labor.

Liam Gillick lives and works in New York City. Gillick deploys multiple forms to make visible the aesthetics of the constructed world and examine the ideological control systems that have emerged along with globalization and neoliberalism. 

For more information, contact laika@e-flux.com.

Category
Film, Labor & Work

Pelin Tan is an artist, sociologist, and art historian based in Mardin. She is a professor at Batman University, where she heads the Department of Cinema and Television and the MA program in Cultural Studies. Tan is a member of the Artıkişler video collective, editor of i press, and currently an artist fellow at the Tarabya Cultural Academy in Istanbul. Her book Forms of Non-Belonging is forthcoming from Sternberg Press and e-flux journal in 2026.

Liam Gillick is a New York-based artist known for contributions in sculpture, video, architecture, and text. His work focuses on the contemporary management of labor, time, and aesthetics extended through a distinctive conception of exhibition as a medium in its own right.

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