KADIST and e-flux present Ways of Reading / Symposium

KADIST and e-flux present Ways of Reading

Digital billboard fire in Times Square, New York, May 18, 2019. Courtesy of Twitter user @Mia_TheBlessed.

KADIST and e-flux present Ways of Reading
February 1, 2020
311 East Broadway
New York, NY 10002

Participants include American Artist (artist); Anti-Eviction Mapping Project (data-visualization, data analysis, and storytelling collective); Jérôme Bel (choreographer); James Bridle (writer, artist, and technologist); Kate Crawford (Distinguished Research Professor at NYU); Martha Kenney (Assistant Professor of Women and Gender Studies at San Francisco State University); Laura Kurgan (Professor of Architecture at GSAPP, and Director, Center for Spatial Research, Columbia University); Trevor Paglen (artist); Gala Porras-Kim (artist); Kameelah Janan Rasheed (artist and learner); Steve Rowell (artist); Davide-Christelle Sanvee (performance artist); and Andros Zins-Browne (choreographer). 

Curated by Adam Kleinman (KADIST’s Regional Curator for North America).

KADIST and e-flux present Ways of Reading, an exploratory day of talks, interventions, and performances featuring a multidisciplinary set of artists and thinkers. The symposium examines how forms of information describe, prescribe, organize, and even misrepresent reality. This framework aims to emphasize how data and statistical analysis can function as powerful, yet often incomplete tools that can be wielded to produce exclusionary models for social distribution and recognition. While numerical mistakes are plain to see once revealed, false positives, cognitive biases, and other forms of erroneous thinking are not unique to computational logics alone. The presentations explore data as a theme in general, across various disciplines including public health, urban planning, archeology, and geology. Playfully investigative rather than thesis driven, the symposium proposes that understanding is made richer, if not possibly more truthful, by including a diversity of research practices and forms of critique that take alternative views and approaches into consideration. If we were to present a guiding thought for the day, it would be to remember that: a sparrow, to an ornithologist, is not the same thing as to a poet.

The symposium marks the launch of Ways of Reading, an eponymous three-year program comprising seminars, exhibitions, and commissions taking place across North America, curated by Adam Kleinman and initiated by KADIST. The program reveals how artists and the arts have the potential to reinterpret, or even “flip the script” of how data is presented so as to question not only how it was collected, but to also reveal hidden biases, hierarchies, and blind spots buried within “objective” analysis. The program is part of a series of international projects that seeks to deepen KADIST’s investment in international collaboration by working with a curator to establish key issues of social relevance in the region to guide production and research, located in various regions for a three-year term.

The Ways of Reading symposium is co-produced by KADIST and e-flux, and with the support of the Swiss Arts Council Pro Helvetia and the Consulate General of Switzerland in New York.



Session One

General introduction by Adam Kleinman, Lead Curator for North America, KADIST

Participants: James Bridle, Trevor Paglen, Kate Crawford, Steve Rowell, Gala Porras-Kim

Presentations and discussions by James Bridle, Trevor Paglen, and Kate Crawford will touch upon artificial and nonhuman intelligence, followed by Steve Rowell on remote sensing technology and post-natural landscapes, and a presentation of new research by Gala Porras-Kim that interweaves archeology, space, and psychic regression. 

Lunch Break

Session Two

Participants: Martha Kenney, Kameelah Janan Rasheed, Andros Zins-Browne

2pm Martha Kenney will discuss the ways “objective” scientific narratives can reinforce stereotypes about gender, race, sexuality, and class, while Kameelah Janan Rasheed will discuss how notions of time and place change meaning in language. 

3.15pm Performance of the iconic work Jérôme Bel (1995), newly reimagined as a remix and rebuttal by Jérôme Bel and Andros Zins-Browne. 

Coffee Break

Session Three

Participants: Laura Kurgan, Anti-Eviction Mapping Project (represented by Ariana Faye Allensworth, Erin McElroy, Sam Raby, Manon Vergerio), American Artist, Davide-Christelle Sanvee

4pm The final session begins with a presentation by Laura Kurgan concerning the ethics and politics of mapping, segregation, and data gathering, which is followed by a discussion on dispossession and resistance across communities in New York, San Francisco, and elsewhere by the collaborative Anti-Eviction Mapping Project team. American Artist later considers visibility within networked life.

5pm Plenary Session moderated by Adam Kleinman.

6pm Special performance by Davide-Christelle Sanvee.

Please RSVP to program@e-flux.com. We suggest arriving early to each session to secure a spot as space is limited. Livestream will be available on www.e-flux.com/live.

For more information, contact program@e-flux.com.

Performance, Urbanism
Health & Disease, Geology

James Bridle is an artist and writer working across technologies and disciplines. His artworks have been commissioned by galleries and institutions and exhibited worldwide and on the internet. New Dark Age, his book about technology, knowledge, and the end of the future, was published by Verso in 2018, and he wrote and presented “New Ways of Seeing” for BBC Radio 4 in 2019.

Laura Kurgan is Professor of Architecture at the Graduate School of Architecture Planning and Preservation at Columbia University, where she directs the Center for Spatial Research (CSR) and the Visual Studies curriculum.

Trevor Paglen is an artist whose work spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Paglen’s work has had one-person exhibitions at the Smithsonian Museum of American Art, Washington D.C.; Carnegie Museum of Art, Pittsburgh; Fondazione Prada, Milan; the Barbican Centre, London; Vienna Secession, Vienna; and Protocinema Istanbul; and participated in group exhibitions the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Tate Modern, and numerous other venues.

Andros Zins-Browne is a choreographer born in New York, who lives and works between New York City and Brussels. His work—at the intersection of installation, performance, and dance—twists the categories of virtuality and embodiment. His solo performance Already Unmade, where he practices the “unmaking”of his own performance archive, was commissioned by the Boghossian Foundation and has been performed at BOZAR Museum, Brussels, the Whitney Museum, New York, the Rockbund Museum, Shanghai, and the Fondation Galeries Lafayette for Festival d’Automne, Paris. In collaboration with choreographer Will Rawls, Andros has recently presented two “remixes”—one on the work of video artist Tony Cokes, commissioned by the 10th Berlin Biennale, and another of the performance piece See-Saw by avant-garde choreographer Simone Forti at the Museum of Modern Art (MoMA) in New York City. Atlas Unlimited—a series of exhibitions in collaboration with artist Karthik Pandian—addresses movement, destruction, and re-construction through sculpture and performance. In 2013, Zins-Browne founded The Great Indoors, an association for artistic research and production.

Adam Kleinman is a writer, curator, and the incoming Director of Kunsthall Trondheim.

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