Screening of Straub-Huillet’s Class Relations, with a talk by Annett Busch

Screening of Straub-Huillet’s Class Relations, with a talk by Annett Busch

Aesthetics of Resistance

Straub-Huillet and Contemporary Moving-Image Art

Screening of Straub-Huillet’s Class Relations, with a talk by Annett Busch

Admission starts at $5

Date
February 21, 2023, 7pm–12am
172 Classon Avenue
Brooklyn NY 11205
USA

Join us at e-flux Screening Room on Tuesday, February 21 at 7pm for a screening of Danièle Huillet and Jean-Marie Straub’s Class Relations (1983, 130 minutes), preceded by a talk by writer and curator Annett Busch.

The evening constitutes the opening event of “Communities, Labor, and Class Relations,” the third chapter of the four-part series Aesthetics of Resistance: Straub-Huillet and Contemporary Moving-Image Art taking place at e-flux Screening Room in monthly chapters between December 2022 and March 2023. Read more on the series here.

Aesthetics of Resistance: Straub-Huillet and Contemporary Moving-Image Art is produced and organized by e-flux; with the support of the German Film Office, an initiative of the Goethe-Institut and German Films. 

Straub-Huillet, Class Relations (1983, 130 minutes)
Straub-Huillet’s brilliant distillation of Franz Kafka’s incomplete first novel Amerika is perhaps the most authentically German treatment of Kafka ever made. An ecstatic and haunted fever-induced dream of the United States—the place where Kafka longed to disappear, if only in his imagination—Amerika is told from the perspective of a young German immigrant who encounters a strange new world, with its violent lies and quixotic optimism, like a modern-day Parsifal. Straub and Huillet took pains to render the German mannerisms and dialect of Kafka’s novel faithfully, and shot their film almost entirely in the port city of Hamburg. But their depiction of injustice and exploitation transcends historical specificity; as Straub said in 1984, “Kafka, for us, is the only major poet of industrial civilization, I mean, a civilization where people depend on their work to survive.”

For more information, contact program@e-flux.com.

Accessibility            
–Two flights of stairs lead up to the building’s front entrance at 172 Classon Avenue. 
–For elevator access, please RSVP to program@e-flux.com. The building has a freight elevator which leads into the e-flux office space. Entrance to the elevator is nearest to 180 Classon Ave (a garage door). We have a ramp for the steps within the space.          
–e-flux has an ADA-compliant bathroom. There are no steps between the Screening Room and this bathroom.

Category
Film, Literature, Labor & Work
Subject
Class, USA, Germany, Industrialization
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Aesthetics of Resistance: Straub-Huillet and Contemporary Moving-Image Art

Danièle Huillet and Jean-Marie Straub directed twenty-eight feature films in their fifty-two years of shared life and work, creating an oeuvre that is one of the most unique and uncompromising in modern cinema. Their vast filmography is as diverse as the material that served as the bases of many of their narratives, including writings by Brecht, Hölderlin, Duras, Kafka, Pavese, and Vittorini, as well as music by Bach and Schoenberg. Straub and Huillet often reinterpreted forgotten or overlooked classical works, investing them with a renewed polemical relevance. Their films bring stories of class struggle and resistance to the surface, examining post-war power relations and offering a critique of capitalism throughout history and across linguistic and territorial borders. Created with intense rigor, beauty, and political commitment, each of their deeply inventive films demands our full attention at every moment, presenting cinema as something both surprising and necessary.

Annett Busch is a curator, writer, and translator and is currently teaching at the Trondheim Academy of Fine Art / NTNU. She was an editor at the pop-culture magazine Spex (1997-2002), and has co-edited the book Ousmane Sembène: Interviews (University Press of Mississippi, 2008). She co-curated (with Florian Schneider) Of a people who are missing, an exhibition and ciné-club on films by Danièle Huillet and Jean-Marie Straub in Extra City Kunsthal, Antwerp (2009). Together with Anselm Franke, she co-curated the exhibition After Year Zero at the Haus der Kulturen der Welt – HKW, Berlin (2013) and an extended version at the Museum of Modern Art Warsaw (2015). Her focus has also been on audacious female artists, administrators, philosophers, and fighters, co-developing Women on Aeroplanes (since 2017, with MH Gutberlet, Magda Lipska, and The Otolith Collective), and co-editing the accompanying Inflight Magazine. She is co-curator (together with Tobias Herring) of the 2017 retrospective project on Straub-Huillet’s work titled Tell it to the Stones, and co-editor of the eponymous book published by Sternberg Press in 2021.

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