Sergei Eisenstein’s Capital Diaries: Talk and Screening by Elena Vogman with Michael Kunichika

Sergei Eisenstein’s Capital Diaries: Talk and Screening by Elena Vogman with Michael Kunichika

Sergei Eisenstein’s Capital Diaries: Talk and Screening by Elena Vogman with Michael Kunichika
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Date
January 21, 2025, 7pm
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172 Classon Avenue
Brooklyn, NY 11205
USA

Join us on Tuesday, January 21, 7pm at e-flux Screening Room for “Sergei Eisenstein’s Capital Diaries”, a talk by Elena Vogman with Michael Kunichika, followed by a screening and public reading.

Almost fifty years after the first publication of Sergei Eisenstein’s Notes for a Film of Capital in the pages of October, the journal has recently published an extensive new selection from the Soviet director’s Capital Diaries (1927–1928). Selected by Elena Vogman and translated by Michael Kunichika, this new publication draws from over five hundred pages of notes, images, press clippings, drawings, and diagrams Vogman reconstructed as part of Eisenstein’s Capital project. In these diaries, Eisenstein attempts to develop his (ultimately unrealized) film based on Karl Marx’s Das Kapital

The talk will introduce the Capital Diaries, featuring readings from the new translation and screenings of selected scenes from Eisenstein’s contemporary films October (1927) and The General Line (1929). The experimental, diaristic, and proto-cinematic nature of the Capital Diaries provides a fuller understanding of Eisenstein’s work on film and the central role of images in this process. The talk will explore the director’s auto-theoretical experiment involving psychoanalysis (including his own), “intellectual attractions,” typage (non-professional actors), and the many ways James Joyce’s Ulysses, especially the “inner monologue,” served as creative resources for the Capital project. Delving into Eisenstein’s heterodox materialism and (multi)linguistic obsessions, the presentation will uncover new dimensions in Eisenstein’s articulation of montage.

For more information, contact program [​at​] e-flux.com.

Accessibility
– Two flights of stairs lead up to the building’s front entrance at 172 Classon Avenue.
– For elevator access, please RSVP to program [​at​] e-flux.com. The building has a freight elevator which leads into the e-flux office space. Entrance to the elevator is nearest to 180 Classon Ave (a garage door). We have a ramp for the steps within the space.          
– e-flux has an ADA-compliant bathroom. There are no steps between the Screening Room and this bathroom.

Category
Marxism, Lecture
Subject
Film Theory, Film, Montage

Elena Vogman is a scholar of comparative literature and media. She is Principal Investigator of the research project “Madness, Media, Milieus: Reconfiguring the Humanities in Postwar Europe” at Bauhaus University Weimar and Visiting Fellow at ICI Berlin Institute for Cultural Inquiry. Her current work focuses on the politics of madness and its intersections with decolonial discourse, psychoanalysis, feminism, and institutional psychotherapy. She has published two books, Sinnliches Denken. Eisensteins exzentrische Methode (Sensuous Thinking. Eisenstein’s Eccentric Method, 2018) and Dance of Values: Sergei Eisenstein’s Capital Project (2019), and was Visiting Professor at École normale supérieure, Paris and New York University Shanghai. Together with Marie Rebecchi and Till Gathmann she co-curated Sergei Eisenstein and the Anthropology of Rhythm (2017) and Eccentric Values After Eisenstein (2018).

Michael Kunichika teaches at Amherst College, where he is Professor and Chair of Russian. He also directs the College’s Center for Humanistic Inquiry. His current research focus is a comparative study of prehistory and late socialism.

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