e-flux book co-op at the New York Art Book Fair

e-flux book co-op at the New York Art Book Fair

"book co-op" at the New York Art Book Fair, PS1, New York, 2011. Photo courtesy of e-flux.

e-flux book co-op at the New York Art Book Fair
Date
September 30, 2011, 12am

Costly and often monopolistic approaches to the distribution of art books has resulted in a situation where it has become common for not only the author, but also the publisher to receive little to no revenue for a book’s sales. As a possible alternative, e-flux is pleased to present the book co-op: a mobile bookstore of over 600 titles on contemporary art, theory, and criticism from over 100 international art centers, artist-run spaces, and independent publishers. Housed in a refurbished aluminum Airstream trailer, this temporary model for more equitable distribution in art publishing will display and sell books on behalf of the co-operative’s member institutions.

The book co-op trailer will live in the PS1 courtyard throughout the duration of the 2011 New York Art Book Fair, after which it will embark on an international tour of contemporary art venues.

Join us at PS1 on Saturday October 1, 12 noon for the New York launch of Are You Working Too Much? Post-Fordism, Precarity, and the Labor of Art, the fourth in the e-flux journal reader series published by Sternberg Press. To mark this occasion, W.A.G.E. (Working Artists and the Greater Economy) will present a live reading followed by a self reflexive Q+A; and Liam GIllick will read from Construction of One: A Manuscript (2011), an unpublished text on the progressive working practices deployed by Volvo factories in the early 1970s.

book co-op:
98weeks : Architectural Association / Bedford Press : Arsenal Gallery : Artspace : AS220 : BAK, basis voor actuele kunst : Ballroom Marfa : BAS : Bergen Kunsthall : Berliner Künstlerprogramm / DAAD : Bielefelder Kunstverein : Brumaria : CA2M Centro de Arte Dos de Mayo : CASCO—Office for Art, Design and Theory : Casino Luxembourg—Forum d’art contemporain, Luxembourg : CDA-Projects : Contemporary Image Collective (CIC) : Cultural Center of Belgrade : DeLVe, Institute for Duration, Location and Variables : Dublin City Gallery The Hugh Lane : EACC—Espai d’Art contempoarani de Castello : Eastside Projects : Fillip / Motto : Fondazione March : Fondazione Nicola Trussardi : Foreman Art Gallery of Bishopʼs University : Galerija Miroslav Kraljevic : Gallery Nova / WHW : Grazer Kunstverein : IASPIS : ICA Sofia : Ikon Gallery : Independent Curators International (ICI) : Index, The Swedish Contemporary Art Foundation : Kadist / Kadist Paris : Kim? : Kölnischer Kunstverein : Kumu Art Museum : Kunsthalle Basel : Kunsthalle Bern : Kunsthaus Bregenz : Kunsthaus Graz : Kunstmuseum Liechtenstein : Kunstnernes Hus : Kunstverein Hamburg : LABoral Centre for Art and Creative Industries : Les Laboratoires d’Aubervilliers : M HKA : MACBA : MAMbo-Museo d’Arte Moderna di Bologna : Master in Visual Arts, Faculdade Santa Marcelina : Maumaus, Escola de Artes Visuais : Milton Keynes Gallery : Moderna Galerija Ljubljana : MUMA, Monash University Museum of Art : Morris and Helen Belkin Art Gallery, University of British Columbia : Museum of Contemporary Art Serralves : NKV, Nassauischer Kunstverein : MNAC, National Museum of Contemporary Art Bucharest : NBK, Neuer Berliner Kunstverein : Nottingham Contemporary : OMMU : Pavilion : Pavilion Unicredit : Pori Art Museum : Portikus / Städelschule : Postgraduate Program in Curating, Zürich University of the Arts / Whitespace : Press to exit project space : Project Arts Centre : Publication Studio : Rakett : READ Books, Charles H. Scott Gallery, Emily Carr University of Art and Design : REDCAT : Rijksakademie van beeldende kunsten : SALT : Salzburger Kunstverein : Sarai-CSDS : Serpentine Gallery : Shedhalle : split/fountain : Sternberg Press : Stroom den Haag : The Books : The New Gallery : The Power Plant : The Renaissance Society : Traffic : Van Abbemuseum : Vitamin Creative Space : Walker Arts Center : White Flag Projects : Wysing Arts Center : Zachęta National Gallery of Art and others.

For further information please write to Laura (at) e-flux. com.

e-flux
41 Essex Street
NY, NY 10002
T +212 619 33 56
www.e-flux.com

Subject
Publishing

Liam Gillick is a New York-based artist known for contributions in sculpture, video, architecture, and text. His work focuses on the contemporary management of labor, time, and aesthetics extended through a distinctive conception of exhibition as a medium in its own right. His work is divided between abstraction based on social and political structures of the present and texts, films, and graphics that often appear to contradict and comment upon the apparent clarity of his structures. Rather than an earlier reliance upon geometry, systems, and subjective visions, Gillick’s abstract works are derived from the secondary structures emerging from an information-based society of renovation, negotiation, and discourse. A theorist, curator, and educator as well as an artist, his wider body of work includes published essays and texts, lectures, and curatorial and collaborative projects. Gillick’s work reflects upon conditions of production in a postindustrial landscape, including the aesthetics of economy, labor, and social organization. His work exposes the dysfunctional aspects of a modernist legacy in terms of abstraction and architecture when framed within a globalized, neoliberal consensus, and extends into a structural rethinking of the exhibition as a form. He has produced a number of short films since the late 2000s which address the construction of the creative persona in light of the enduring mutability of the contemporary artist as a cultural figure: Margin Time (2012), The Heavenly Lagoon (2013), and Hamilton: A Film by Liam Gillick (2014). The book Industry and Intelligence: Contemporary Art Since 1820 was published by Columbia University Press in March 2016.