Testing, testing

Testing, testing

Coleman Collins, Latent Space, 2025, video still. 18:46 min. Courtesy the artist.
Testing, testing
Screening and Discussion

Student $7
General $10

Date
April 9, 2026, 7pm
172 Classon Avenue
Brooklyn NY 11205
USA

Join us at e-flux Screening room on Thursday, April 9 at 7pm for Testing, testingco-presented by the Vera List Center for Art and Politics.

The program brings together artistic and filmic examinations of intelligence testing from historical and archival perspectives, attentive to their ongoing effects in the present and their entanglement with artificial intelligence. Across the program, intelligence emerges as a performative system—one that measures minds, choreographs bodies, and dictates their position in space and in relation to one another. Historical documents, diagnostic forms, and built environments are treated as mutable scores, revealing how intelligence has been measured, rehearsed, and encoded over time, from racial and bureaucratic regimes to contemporary computational logics. 

Across the program, intelligence and testing emerge as performative systems—ones that measure minds, choreograph bodies, and dictate their position in space and in relation to one another. Participants include Coleman CollinsSandra Erbacher, and Ruth Estévez, who are joined in conversation with co-curator Abirami Logendran.

Program

Sandra Erbacher and Ruth Estévez, The Responders [Chapter 9] (2026, 7 minutes)

Sandra Erbacher and Ruth Estévez, Body Recognition [Chapter 2] (2025, 4 minutes)

Coleman Collins, Latent Space, (2025, 19 minutes)

Sandra Erbacher and Ruth Estévez, I Told You So [Chapter 10] (2026, 9 minutes)

Testing, testing is curated by Eriola Pira in collaboration with Abirami Logendran as part of Vera List Center’s 2025–2027 Focus Theme, Matter of Intelligence. This screening is co-presented with e-flux Screening Room and supported by Royal Norwegian Consulate General in New York and Office for Contemporary Art Norway.

For more information, contact program@e-flux.com.

Accessibility
– Two flights of stairs lead up to the building’s front entrance at 172 Classon Avenue.
– For elevator access, please RSVP to program@e-flux.com. The building has a freight elevator nearest to 180 Classon Ave (garage door) leading into the e-flux office space. A ramp is available for steps within the space.
– e-flux has an ADA-compliant bathroom with no steps between the event space and this bathroom.

Category
Film
Subject
Experimental Film, Video Art, Choreography

Coleman Collins is an interdisciplinary artist, writer, and researcher whose work explores notions of diaspora in relation to technological methods of transmission, translation, copying, and reiteration. His work is in the permanent collection of the Hammer Museum, Los Angeles. He received his MFA from UCLA, Los Angeles in 2018 and was a 2017 resident at the Skowhegan School of Painting and Sculpture in Madison, ME. Collins is a 2025 Guggenheim Fellow. Recent exhibitions and screenings have taken place at e-flux, New York; Ehrlich Steinberg, Los Angeles; Herald Street, London; Soldes, Los Angeles; the Palestine Festival of Literature, Jerusalem/Ramallah; Larder, Los Angeles; Hesse Flatow, New York; Brief Histories, New York; Carré d’Art, Nîmes; and the Kunsthalle Wien in Vienna. He is currently an Assistant Professor of Art at the University of California, Irvine.

Ruth Estévez is a writer, performer, and curator focusing on the development of new artistic fields of knowledge through research and interdisciplinary initiatives. She is currently the co-director of the Skowhegan School of Painting and Sculpture. Previously, Estévez was the Artistic Director of Amant, an alternative art space in Brooklyn (2020–23), Senior Curator of the Rose Art Museum at Brandeis University (2018–20), and co-curator of the 34th São Paulo Biennial (2021). She organized the performance festival Idiorrhythmic at MACBA in Barcelona (2017–20) and was the gallery director and curator of REDCAT/Calarts (2012–18). Estévez co-founded LIGA-Space for Architecture and Spatial Practices in Mexico City (2010–). She is currently finishing her PhD in Art, Education, and Research at the University of Castilla–La Mancha, Cuenca, focusing on the aesthetic, social, and political shifts in collective creation across performance art, architecture, and theater.

Sandra Erbacher is a German interdisciplinary artist based in Providence, Rhode Island. Working in collage, photography, installation, and artist books, her practice critically explores the archive as a site of historical production and negotiation. Erbacher has exhibited nationally and internationally, including at Penumbra Foundation, Cuchifritos, ISCP, Spring/Break, GRIN, and Atlanta Contemporary. She has participated in residencies at Skowhegan, Penumbra Foundation, LMCC Workspace, NARS Foundation, and Artists Alliance. Honors include a Foundation for Contemporary Arts Emergency Grant, the Center for Book Arts Residency, and the Chazen Prize. Her work is held in collections such as Fidelity Investments, the Stone Foundation, and the Tedeschi Collection.

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