Su Yu Hsin: Particular Waters

Su Yu Hsin: Particular Waters

Su Yu Hsin, Sunshine-belt Machine (still), 2026.
Su Yu Hsin: Particular Waters
Screening and discussion

Admission:
General $12
Student $10

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Date
September 10, 2026, 7pm
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172 Classon Avenue
Brooklyn NY 11205
USA

Join us at e-flux Screening Room on Thursday, September 10, 2026 at 7pm for a screening of Su Yu Hsin’s Particular Waters trilogy. The screening will be introduced by Candice Strongwater and followed by a conversation between Su Yu Hsin and critic Dawn Chan.

Following Taiwan Semiconductor Manufacturing Company (TSMC) from its headquarters in Hsinchu, Taiwan, to its expanding operations in Phoenix, Arizona, and Dresden, Germany, Su Yu Hsin’s research-based trilogy traces the entanglement between the global semiconductor supply chain and water infrastructures. Approaching computing and AI infrastructure from the material perspective of water and silicon, the films examine the resource consumption involved in chip manufacturing and its environmental consequences.

Films

Particular Waters
(2023, 13 minutes)
Internationally sought-after semiconductors require tons of water for their production. But where does the water come from? And who gains access to it and on what terms? The film reconstructs Hsinchu’s 2021 drought through the perspective of a female water truck driver, probing the ecological consequences of industrial expansion.

Where Clouds Once Formed (2025, 14 minutes)
Tracing Arizona’s landscape from a self-driving car, the film explores the desert’s transformation into a AI hub. Against drought-ridden terrain and techno-utopian promise, Tohono O'odham poet Ofelia Zepeda's Cloud Song offers an ancestral countercurrent to the expanding physical infrastructure of industrial cloud computing.

Sunshine-belt Machine (2026, work-in-progress)
Silicon, Earth's second most abundant element, forms the backbone of computer chips and solar panels. The film delves into the Saxony region of Germany and its hidden silicon value chain, which is revived by Silicon Saxony. The future promises are hard to grasp on today's post-mining landscape.

The screening is organized in conjunction with the group exhibition Uneven Geographies at The Anya and Andrew Shiva Gallery (September 3 – October 30, 2026).

For more information, contact program@e-flux.com.

Accessibility
     
– Two flights of stairs lead up to the building’s front entrance at 172 Classon Avenue.      
– For elevator access, please RSVP to program@e-flux.com. The building has a freight elevator nearest to 180 Classon Ave (a garage door) leading into the e-flux office space. A ramp is available for steps within the space
–  e-flux has an ADA-compliant bathroom with no steps between the event space and this bathroom.

Category
Film, Nature & Ecology, Technology
Subject
Film, Experimental Film, Extractivism

Su Yu Hsin is a Taiwanese artist and filmmaker works and lives between Berlin and Taipei. Her research-oriented artistic practice begins with the close relationship between technology and ecology. Combining fieldwork and interdisciplinary collaboration, she to develops hydropoetic and analytical narratives that examine water as both a carrier of environmental history and a contested medium in our technonatural present. She trace the material flows and terraforming consequences of the market-driven AI boom, asking how digital media intensified the environmental degradation. Her works are exhibited worldwide in museums, international Art Biennials and film festivals.

A writer and cultural critic, Dawn Chan frequently contributes to The New York Times. Her writing also appears in ArtReview, The New Yorker, The New York Review of Books, The Paris Review, and Spike Art Magazine. Dawn’s essays have been anthologized in Intersubjectivity Vol. 4: Network Affect (Sternberg Press), Spectral Futures (Bloomsbury), and Science Fiction (MIT Press). A former visiting scholar at the Center for Experimental Humanities at New York University, Dawn is currently a core faculty member at CCS Bard. She has received a Warhol Arts Writers Grant and a Thoma Foundation Arts Writing Award.

Candice Strongwater is an independent curator whose work engages the intersections of contemporary art and human rights. She holds an M.A. from the Center for Curatorial Studies, Bard College. Currently, she is the Senior Manager of Research and Curatorial Initiatives at SITU Research.

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