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Sirenomelia

Emilija Škarnulytė

This video is no longer available

Emilija Škarnulytė, Sirenomelia (still), 2018.

e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory Sirenomelia
Emilija Škarnulytė
2018

12 Minutes
Norway

Date
August 28–September 10, 2020

Join us on e-flux Video & Film for an online screening of Emilija Škarnulytė’s Sirenomelia (2018), on view from Friday, August 28 through Thursday, September 10, 2020.

Set in far-northern territories where Arctic waters meet rocky escarpments on which radio telescopes record fast-traveling quasar waves, Sirenomelia links human, nature, and machine to posit possible post-human mythologies. Shot in a decommissioned and abandoned NATO submarine base in Olavsvern, Norway, the film is a cosmic portrait of one of humankind’s oldest mythic creatures—the mermaid. Performing as a siren, the filmmaker swims through the decrepit facility while cosmic signals and white noise traverse the entirety of space, reaching its farthest corners, beyond human impact.

Sirenomelia is presented here as one of four films in Part Two | War Machines and Environmental Memories, the second of six programs in the online film and discussion series Ecology After Nature: Industries, Communities, and Environmental Memory programmed by Lukas Brasiskis for e-flux Video & Film.

Ecology After Nature runs from August 14 through November 8, 2020. The films in Part Two will screen for two weeks, and subsequent parts will follow bi-weekly, with new films screened every other Sunday.


For more information, contact program@e-flux.com.

Subject
Anthropocene, Climate change, Environment, Militarization, Arctic and Antarctic, Science Fiction, Water & The Sea
Return to Part Two | War Machines and Environmental Memories

Emilija Škarnulytė is a nomadic visual artist and filmmaker. Blending fiction with documentary, she explores topics from the cosmic and geological to the ecological and political. Winner of the 2019 Future Generation Art Prize, Škarnulytė represented Lithuania at the XXII Triennale di Milano and was included in the Baltic Pavilion at the 2018 Venice Biennale of Architecture. With solo exhibitions at Tate Modern (2021), Kunsthaus Pasquart (2021), Den Frie (2021), National Gallery of Art in Vilnius (2021), CAC (2015), and Kunstlerhaus Bethanien (2017), she has participated in group shows at Ballroom Marfa, Seoul Museum of Art, Kadist Foundation, and the First Riga Biennial. Her numerous prizes include the Kino der Kunst Project Award, Munich (2017); Spare Bank Foundation DNB Artist Award (2017), and the National Lithuanian Art Prize for Young Artists (2016). She received an undergraduate degree from the Brera Academy of Art in Milan and holds a masters from the Tromsø Academy of Contemporary Art. Her films are in the IFA, Kadist Foundation, and Centre Pompidou collections and have been screened at the Serpentine Gallery, UK, the Centre Pompidou, France, and The Museum of Modern Art, New York and in numerous film festivals including in Rotterdam, Busan, and Oberhausen. She is a founder and currently co-directs Polar Film Lab, a collective for analogue film practice located in Tromsø, Norway and is a member of the artist duo New Mineral Collective.

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