Adolf Loos, “Ornament and Crime,” in Ornament and Crime: Selected Essays, ed. Adolf Opel, trans. Michael Mitchell (Riverside, CA: Ariadne Press, 1998), 167.
Ibid., 174.
Ibid., 168.
Alexei Gan, “From Constructivism,” in Charles Harrison and Paul Wood, eds., Art in Theory, 1900–1990: An Anthology of Changing Ideas (Oxford, UK: Blackwell, 1993), 320 (translation modified).
Nikolai Tarabukin, “From the Easel to the Machine,” in Francis Franscina and Charles Harrison, eds., Modern Art and Modernism: A Critical Anthology (New York: Harper and Row, 1982), 135–42.
Adolf Loos, “The Poor Little Rich Man,” in August Sarnitz, Adolf Loos, 1870–1933: Architect, Cultural Critic, Dandy, trans. Latido (Cologne, Taschen, 2003), 21.
Hal Foster, “Design and Crime,” in idem, Design and Crime (and Other Diatribes) (London: Verso, 2002), 17.
