The title of this piece is, of course, a reference to the well-known e-flux project, curated by Jens Hoffmann, "The Next Documenta Should be Curated by an Artist." See →.
Oliver Marchart, Hegemonie im Kunstfeld. Die documenta-Ausstellungen dX, D11, d12 und die Politik der Biennalisierung (Cologne: Verlag der Buchhandlung Walther König, 2008).
See Ernesto Laclau and Chantal Mouffe, Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (London: Verso, 1985).
For my critique of the Rotterdam exhibition of "Die Regierung," see Dieter Lesage, "How To Become Dutch," Afterall. A Journal of Art, Context and Enquiry 18 (Summer 2008): 17-26.
Ruth Noack and Roger M. Buergel, "Some Afterthoughts on the Migration of Form," Afterall. A Journal of Art, Context, and Enquiry 18 (Summer 2008): 5-15.
See Dieter Lesage, "Cultural Resignation Today: On Over-Identification and Overstatement," in Cultural Activism Today. The Art of Over-Identification, ed. BAVO (Rotterdam: episode publishers, 2007), 88-98.
"Auf Afrika fliegen," Süddeutsche Zeitung, November 3, 2008. The statement has been picked up by almost all German media.
NBP, →.