Projections of the future that were made in the past are often striking in their bold naïvete—didn’t people understand then that future projections always end up looking like caricatures of past concerns? But whereas these projections do little to actually activate the future they foresaw, they do function as expressions of pure intention, and in this sense they are probably not so naïve. Rather, they indicate a certain bold willingness on the part of people of a certain time to define in...

Numerous Eastern European artists (among others) have recently been reflecting on the notion that communism is a yet-unfinished project; for them, this idea is also part of their cultural tradition. While we must not lump together all those in Eastern Europe—from serious artists to pop entertainers—who, in one way or another, are today trying to revive the memory of communism, and with it the Partisan resistance movement, we can perhaps find in current events a number of shared motivations...

It is at work everywhere, functioning smoothly at times, at others in fits and starts: an urban process in which things designed for one particular function are used for another. A standard stock of materials suddenly confronts a logic of construction that reinterprets it completely in uses and contexts that were never imagined for it. At times, this combinatorial propensity—even promiscuity—lying dormant in various artifacts and materials is fired up to such a degree that the apparent...

Hans Ulrich Obrist: I just visited Edouard Glissant and Patrick Chamoiseau, who have written an appeal to Barack Obama. What would your appeal and/or advice be to Obama? Raoul Vaneigem: I refuse to cultivate any relationship whatsoever with people of power. I agree with the Zapatistas from Chiapas who want nothing to do with either the state or its masters, the multinational mafias. I call for civil disobedience so that local communities can form, coordinate, and begin self-producing...

The title of this text is a hybrid of two existing titles. “Architecture without Architects” was the name of an influential exhibition by the architect Bernard Rudofsky at the MoMA in 1964; “Housing: An Anarchist Approach” was the name of a famous book by the English architect and anarchist Colin Ward in which the author proclaims the rights and productivity of self-built housing and squatting in postwar Europe. Whereas the latter’s collection of essays discussed specific cases of European...

Promontory Some weeks ago I was asked by the German quarterly journal Texte zur Kunst to contribute to their upcoming summer issue, loosely organized under the grandiose rubric of “theses on contemporary art,” whose aim would be not so much to define art, but to allow for the staking out of certain positions, which seemed especially important given the confusion resulting from the current “crisis” in the global economy. (The question as to what may happen “after the crisis” had been...