Gloria Anzaldúa, Borderlands/La Frontera: The New Mestiza, 4th ed. (Aunt Lute Books, 2007), 23.
Achille Mbembe, Necropolitics (Duke University Press, 2019), 9 and 40. Emphasis in original.
Mbembe, Necropolitics, 99.
The cycles of “Shoreline Movements” are as follows: Movement 1 (November 16–December 6, 2020): Beatriz Santiago Muñoz, Black Beach / Forces / The Dead / Camp, 2016; Tsuchimoto Noriaki, The Shiranui Sea (Shiranuikai), 1975; Karimah Ashadu, Lagos Island, 2012. Movement 2 (December 7–27, 2020): Thao Nguyen Phan, Becoming Alluvium, 2019; Sky Hopinka, małni: towards the ocean, towards the shore, 2020; Maya Deren, At Land, 1944. Movement 3 (December 28, 2020–January 17, 2021): Edith Dekyndt, Dead Sea Drawings (Part 1), 2010; Joshua Bonnetta, The Two Sights, 2019; Rebecca Meyers, blue mantle, 2010. Movement 4 (January 18–February 7, 2021): Carlos Motta, Nefandus, 2013; Hu Tai-li, Voices of Orchid Island, 1993; Patricio Guzmán, The Pearl Button (El botón de nácar), 2015. Movement 5 (February 8–21, 2021): Jessica Sarah Rinland, Y Berá – Bright Waters, 2016; Ben Rivers, Slow Action, 2011; Johan van der Keuken, Flat Jungle (De platte jungle), 1978. Movement 6 (February 22–March 14, 2021): Peggy Ahwesh, The Blackest Sea, 2016; Francisco Rodriguez, A Moon Made of Iron (Una luna de hierro), 2017; Zhou Tao, The Worldly Cave, 2017. For more info, including program notes, see →.
Hannah Arendt, The Human Condition, 2nd ed. (1958; University of Chicago Press, 1998), 52–58.
Fatimah Tobing Rony, The Third Eye: Race, Cinema, and Ethnographic Spectacle (Duke University Press, 1996), 118.
Trinh T. Minh-ha, When the Moon Waxes Red: Representation, Gender, and Cultural Politics (Routledge, 1991), 66.
Bruno Latour, Down to Earth: Politics in the New Climatic Regime, trans. Catherine Porter (Polity, 2018), 94 and 98. Emphasis in original.
Arendt, Human Condition, 52.
Aaron Gerow, “Tsuchimoto and Environment in Documentary Film,” in Of Sea and Soil: The Cinema of Tsuchimoto Noriako and Ogawa Shinsuke, ed. Stoffel Debuysere and Elias Grootaers (Sabzian, Courtisane, and CINEMATEK, 2019), 95.
Mbembe, Necropolitics, 15.