Laura Mulvey, “Visual Pleasure and Narrative Cinema,” in Visual and Other Pleasures (Palgrave Macmillan, 2009).
Laura Mulvey, “Afterthoughts on Visual Pleasure and Narrative Cinema Inspired by King Vidor’s Duel in the Sun,” in Visual and Other Pleasures.
On the sensory and embodied side of a trans aesthetic, see Cáel Keegan, Lana and Lily Wachowski (University of Illinois Press, 2018).
The Lady Chablis, Hiding My Candy (Pocket Books, 1996).
Shola Von Reinhold, Lote (Jacaranda Books, 2020).
Von Reinhold, Lote, 388.
Von Reinhold, Lote, 389.
Von Reinhold, Lote, 438.
Von Reinhold, Lote, 390.
Paul Gilroy, The Black Atlantic (Harvard University Press, 1994).
bell hooks, Black Looks: Race and Representation (South End Press, 1982); Judith Butler, Bodies That Matter: On the Discursive Limits of Sex (Routledge, 1993); Tim Dean, Beyond Sexuality (University of Chicago Press, 2000).
Von Reinhold, Lote, 209.
Von Reinhold, Lote, 209.
Von Reinhold, Lote, 365.
Von Reinhold, Lote, 367.
On Afrofuturism: Kodwo Eshun, More Brilliant Than the Sun (Quartet Books, 1999); on black luxury: Madison Moore, Fabulous: The Rise of the Beautiful Eccentric (Yale University Press, 2018).
Von Reinhold, Lote, 371.
Von Reinhold, Lote, 278–79.
Von Reinhold, Lote, 59.
On the ambivalence of visibility, see Trap Door: Trans Cultural Production and the Politics of Visibility, ed. Reina Gossett, Eric A. Stanley, and Johanna Burton (MIT Press, 2017).
Von Reinhold, Lote, 58.
Von Reinhold, Lote, 24.
Von Reinhold, Lote, 30.
Von Reinhold, Lote, 31.
Von Reinhold, Lote, 28.
Von Reinhold, Lote, 208.
Saidiya Hartman, “Venus in Two Acts,” Small Axe 26, no. 2 (June 2008).
Von Reinhold, Lote, 208.
Von Reinhold, Lote, 210.
Von Reinhold, Lote, 275–76. On Wyndham Lewis’s fascist modernism, see Fredric Jameson, Fables of Aggression: Wyndham Lewis, the Modernist as Fascist (Verso, 2008).
Adolf Loos, “Ornament and Crime” (1908), in Programs and Manifestoes on 20th-Century Architecture, ed. Ulrich Conrads (MIT Press, 1975).
Von Reinhold, Lote, 312.
Quoted in Graham Birtwhistle, Living Art: Asger Jorn’s Comprehensive Theory of Art (Reflex, 1986), 35.
Martin Bernal, Black Athena Writes Back: Martin Bernal Responds to His Critics (Duke University Press, 2001).
Von Reinhold, Lote, 312.
Von Reinhold, Lote, 312–13.
Constance Meinwald, “Who Are the Philotheamones and What Are They Thinking?,” Ancient Philosophy 37, no. 1 (Spring 2017).
Alexander Galloway, Eugene Thacker, and McKenzie Wark, Excommunication: Three Inquiries in Media and Meditation (Chicago University Press, 2013).
Von Reinhold, Lote, 311.
Von Reinhold, Lote, 409.
Von Reinhold, Lote, 409.
Von Reinhold, Lote, 403.
I lifted “surround” from Stefano Harney and Fred Moten, The Undercommons: Fugitive Planning & Black Study (Autonomedia, 2013).
Von Reinhold, Lote, 62.
McKenzie Wark, “Girls Like Us,” The White Review, December 2020 →.
Von Reinhold, Lote, 183.
McKenzie Wark, “Femme as in Fuck You,” e-flux journal, no. 102 (September 2019) →.