Issue #120 The Postdramatic Theater’s Misadventures in the Age of Contemporary Art

The Postdramatic Theater’s Misadventures in the Age of Contemporary Art

Keti Chukhrov

120_Chukhrov_01

Boris Yukhananov, Pinocchio, 2019. Performance view, Electrotheatre Stanislavsky, Moscow, 2019. Photo: Andrey Bezukladnikov. 

Issue #120
September 2021










Notes
1

Erika Fischer-Lichte, The Transformative Power of Performance, trans. Saskya Iris Jain (Routledge, 2004).

2

Hans-Thies Lehmann, Postdramatic Theatre, trans. Karen Jürs-Munby (Routledge, 2006).

3

André Lepecki, Exhausting Dance: Performance and the Politics of Movement (Routledge, 2006).

4

Florian Malzacher, “No Organum to Follow: Possibilities of Political Theatre Today,” in Not Just a Mirror: Looking for the Political Theater of Today, ed. Florian Malzacher (Alexander Verlag, 2015), 16–30.

5

The round table featuring Alexandra Konnikova took place on March 11, 2016, at the Stanislavsky Electrotheatre in Moscow (in Russian).

6

Antonin Artaud, “An Affective Athleticism,” in The Theater and Its Double, trans. Victor Corti (Alma Classics, 2010), 93–99.

7

Judith Butler, The Psychic Life of Power: Theories in Subjection (Stanford University Press, 1997).

8

Gilles Deleuze, The Logic of Sense, trans. Mark Lester with Charles Stivale (Athlone Press, 1990), 149.

9

Yukhananov spoke about the inductivity of theatrical speech during his lecture at the NCCA in Moscow on April 26, 2016 (in Russian).

Translated from the Russian by Thomas H. Campbell.