This text includes content quoted or adapted from actual events, essays, and other sources. For “The Old Woman,” see: Randy Kennedy, “Metropolitan Museum Completes Round of Layoffs,” New York Times, June 22, 2009 →; and Roger Caillois, “Mimicry and Legendary Psychasthenia,” trans. John Shepley, October 31 (Winter 1984): 16–32. For “The Would-Bes,” see: Louis Aragon, Paris Peasant, trans. S. W. Taylor (1926; Exact Change, 1994); Simon Baker, “Surrealism in the Bronze Age: Statuephobia and the Efficacy of Metaphorical Iconoclasm,” in Iconoclasm: Contested Objects, Contested Terms, ed. Stacy Boldrick and Richard Clay (Ashgate, 2007), 189–213; Marcel Sauvage, La fin de Paris ou la révolte des statues, trans. Tyler Coburn (1932; Éditions Grasset, 1983); and Robert Desnos, “Pygmalion and the Sphinx,” trans. Simon Baker, Papers of Surrealism 7 (2007). The images in this text are watercolors by the author, respectively titled The Met Fifth Avenue, Gallery 126 and Getty Center, Museum South Pavilion, Gallery S203.
Thanks to Joanna Fiduccia, Elvia Wilk, and Siqi Zhu for feedback on drafts of this text. Part 2 appears in the April 2022 issue of e-flux journal.