Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson, “About October.” October 1 (Spring 1976), 5.
Maria Gough, “Tarabukin, Spengler, and the Art of Production,” October 93 (Summer 2000), 86.
Marcel Proust, In Search of Lost Time, vol. 1, Swann’s Way, trans. C. K. Scott Moncrieff and Terence Kilmartin, rev. D. J. Enright (New York: Modern Library / Random House, 1998), 53–55.
Lucy R. Lippard, ed., Six Years: The Dematerialization of the Art Object from 1966 to 1972 (Berkeley: University of California Press, 1973).
Charles Baudelaire, “What Is the Use of Criticism?” in Flowers of Evil and Other Works, ed. and trans. Wallace Fowlie (New York: Bantam Books, 1964), 155.
Giorgio Agamben, “Infancy and History: An Essay on the Destruction of Experience,” in Infancy and History: On the Destruction of Experience, trans. Liz Heron (London: Verso, 1993), 24.
Ibid.
Ibid., 25.
Duchamp said this in September 1956 to Lawrence D. Steefel, Jr., who was writing his dissertation on The Large Glass for Princeton University. See Lawrence D. Steefel, Jr., The Position of Duchamp’s Glass in the Development of His Art (New York: Garland, 1977), 312.
Jacques Rancière., The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation, trans. Kristin Ross (Stanford: Stanford University Press, 1991), 3–4.
Ibid., 64–65.
Translated from the Spanish by Ezra Fitz.