“Recalibrating Media: Three Theses on Video and Media Art in Southeast Asia,” in Video, an Art, a History 1965–2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, exh. cat. (Singapore Art Museum, 2011).
The curators described the show as “a pilot exhibition bringing together two institutional collections: one that began in France in 1976 with works from 1965 till today, the other since 2008 in Singapore; one turned towards major international trends, the other steered towards Asian works—more specifically those from the currently very prolific region of Southeast Asia.”
The revised versions were published as “SEA STATE: Notes on Video Art in Singapore,” in Moving On Asia 2004–2013, ed. Yeran Jang and Kim Jihye (Alternative Space LOOP, 2012); and “Insular Visions: Notes on Video Art in Singapore,” The Japan Foundation Asia Center Art Studies, vol. 3 (2017).
“The Singapore Art Biennale: Keeping Faith,” Ctrl+P, no. 4 (December 2006).
“Insular Visions.”
“Insular Visions.”
Veale, “Thai Art: Currencies of the Contemporary,” Sojourn: Journal of Social Issues in Southeast Asia 33, no. 3 (November 2018).
Teh, “Itinerant Cinema: The Social Surrealism of Apichatpong Weerasethakul,” Third Text 25, no. 5 (September 2011).
“Introduction,” in Thai Art: Currencies of the Contemporary (MIT Press, 2017), 2.
The Art of Not Being Governed: An Anarchist History of Southeast Asia (National University of Singapore Press, 2010).
“The Fugitive Reflex: Autonomy and Sublimation After Zomia,” in 2 or 3 Tigers, exh. cat., ed. Anselm Franke and Hyunjin Kim (Haus der Kulturen der Welt, 2017).
Teh, interview by Serubiri Moses conducted via Zoom, January 4, 2023.
“Concerning Violence,” in The Wretched of the Earth, trans. Richard Philcox (Grove Press, 2004).
“Fugitive Reflex.”
“Fugitive Reflex.”
“Fugitive Reflex.”
Interview by Moses.
Teh, interview by Moses.
Veale, “Thai Art.”
“Ho Tzu Nyen, The Cloud of Unknowing,” guggenheim.org →.
“Under One or Several Flags,” Afterall, no. 51 (Summer 2021).
“(2020 Forum) 호 추 니엔 Ho Tzu Nyen,” Vimeo video →.
Ho Tzu Nyen, “Every Cat in History is I,” in 2 or 3 Tigers.
See →.
“Itinerant Cinema.”
From the press release →.
“Itinerant Cinema.”
“The University and the Undercommons,” chap. 2 in The Undercommons: Fugitive Planning & Black Study (Minor Compositions, 2013).