On End Credits

Steve McQueen and Doreen Mende

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Steve McQueen, End Credits (2012–22), exhibited in conversation with “The Missed Seminar: After Eslanda Robeson,” Haus der Kulturen der Welt, Berlin, October 28–December 30, 2022. Installation view. Photo: Timo Ohler, 2022.

Issue #136
May 2023










Notes
1

See Barbara Ransby, The Large and Unconventional Life of Mrs. Paul Robeson (Yale University Press, 2013).

2

Eslanda Robeson, African Journey (Victor Gollancz Ltd., 1946).

3

Franz Loeser, Die Abenteuer eines Emigranten: Erinnerungen (Adventures of an Emigrant: Memoires) (Verlag Neues Leben, 1980).

4

Katharina Warda, “Ostdeutsche of Color,” Rise, 2021 (in German).

5

“Pan-Africanism, Communism, Anti-Fascism: A Radical Provocation,” panel discussion with Charisse Burden-Stelly, Doreen Mende, Charlotte Misselwitz, and Zoé Samudzi, moderated by Avery F. Gordon, October 29, 2022, “The Missed Seminar,” Haus der Kulturen der Welt, Berlin.

6

See .

7

Steve McQueen in conversation with Donna De Salvo, April 29, 2016, in the context of Steve McQueen’s exhibition “Open Plan,” Whitney Museum of American Art, 2016 .

8

Eslanda Goode Robeson, “Kidnapped!” A True Story, Paul Robeson Archive, Akademie der Künste Berlin.