Issue #14 Learning by Doing: Reflections on Setting Up a New Art Academy

Learning by Doing: Reflections on Setting Up a New Art Academy

Nicolas Siepen and Åsa Sonjasdotter

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Issue #14
March 2010










Notes
1

The Study Plan and the Profile text is to be found at .

2

See .

3

See .

4

See .

5

The first year’s students were Geir Backe Altern, Anemarte Bjørnseth, Mathilda Carlid, Line Solberg Dolmen, Ingrid Forland, Heidi-Anett Haugen, Ane EleneJohansen, Espen Justdal, Ingeborg Annie Kristine Lindahl, Frank Ludvigsen, Vebjørn Møllberg, Margrethe Pettersen and Ida Walenius. Staff members were coordinator Irene Nordhaug Hansen, theory lecturer Tone Olaf Nielsen and lecturing artists Bodil Furu Geir and Tore Holm. In addition we had many visiting artists and other experts lecturing.

6

The were students invited as festival artists at the Riddu Riđđu International Indigenous Festival the summer of 2008. Together with the International Academy Of Art Palestine, we were invited to a workshop at Lofoten International Art Festival. Tromsø Kunstforening invited the students to use the building as they wanted for a weekend which resulted in the performance and exhibition project Home Alone (Hjemme Alene) Self initiated external collaborations were for example: An exhibition at Tromsø Public Library, screenings at the local non-profit cinema Verdensteatret, a project within the public space in collaboration with Tromsø Municipality’s Department for Urban Planning, a seminar on Sámi Contemporary Art together with The Institute for Art History and Science at Tromsø University, a student exchange agreement with the Art Academy in Ramallah, Palestine (since Tromsø and Ghaza City are official Friendship Towns) and finally a collaboration on Sustainability and the Northern Scandinavia together with the academies in Umeå, Sweden and in Copenhagen, Denmark.

7

As for example curator Veronica Wiman at Yerba Buena Center for the Arts in San Francisco and at La Vida es un Teatro in Nashira, Colombia; Capacete Entertainment Residence Program in Sao Paolo, artist Mary Beth Edelson in New York, the art group Fallen Fruit in Los Angeles, Capricious Publishing House in New York, artist John Kørner in Copenhagen and many, many others.

8

We have for example collaborated with the university’s Art History Department on a course in Sámi Contemporary Art. Duodji (Sámi craft) Master Jon Ole Andersen has given courses to students in his workshop in Karasjok. As part of our collaboration with the academies in Umeå and Copenhagen we have hosted a workshop on the 30-year memory of the for Sámi crucial Alta Case uprising.

9

Self-organized initiatives are for example; the experimental art-space Kurant, the fanzine Trusø, the film club Kuk og Parfyme, the exhibition place the Kiosk and the printed matter store Mondo Tromsø. Collaborations have been made with for example Feil Forlag, Galleri Nord Norge, the municipality of Tromsø etc.