Joan Kee, The Geometries of Afro Asia: Art Beyond Solidarity (University of California Press, 2023), 3.
Art, Global Maoism and the Chinese Revolution, ed. Jacobo Galimberti, Noemi de Haro García, and Victoria H. F. Scott (Manchester University Press, 2019).
Patrick Flores cited in Saloni Mathur, “Why Exhibition Histories?” British Art Studies, no. 13 (September 2019) →.
Arif Dirlik, “Mao Zedong Thought and the Third World/Global South,” Interventions 16, no. 2 (2014); Julia Lovell, Maoism: A Global History (Knopf, 2019).
On the study of “American” art, we add the proviso that using “America” to refer only to the art of the United States replicates US imperialist attitudes stemming from, at least, the Spanish-American War of 1898.
Charles Malik, “Call to Action in the Near East,” Foreign Affairs 34, no. 4 (July 1956) →.
See Joan Kee, “Collaborators in Arms: The Early Works of Melvin Edwards and Ron Miyashiro,” Oxford Art Journal 43, no. 1 (2020).
Kee, “Collaborators in Arms.”
Christopher Phillips, Socrates in Love: Philosophy for a Perfect Heart (Norton, 2011), 186.
Robin D. G. Kelley and Betsy Esch, “Black Like Mao: Red China and Black Revolution,” Souls: Critical Journal of Black Politics & Culture 1, no. 4 (1999).
Arlie O. Petters et al., Singularity Theory and Gravitational Lensing (Birkhäuser, 2012), 502.
Max Mark, “Economic Determinants of the Character of Afro-Asian Nationalism,” American Journal of Economics and Sociology 20, no. 4 (July 1961).
Paulin Hountondji discusses in several places the universal aims and universal value of an African philosophy. See, for example, P. Hountondji, African Philosophy: Myth or Reality? (Indiana University Press, 1996).
Kuan-Hsing Chen, Asia as Method: Toward Deimperialization (Duke University Press, 2010).