Issue #142 A Soviet Engineer of Eternal Life

A Soviet Engineer of Eternal Life

Arseny Zhilyaev

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Ilya and Emilia Kabakov, The Center of Cosmic Energy, 2007. Installation, sketches on paper (prints). Installation: 293 × 62 × 96 cm; each print: 80 × 74 cm. Courtesy of Ilya and Emilia Kabakov. Photo: Power Station of Art.

Issue #142
February 2024










Notes
1

Ilya Kabakov, Texts / Library of Moscow Conceptualism (German Titov, 2010), 188.

2

From the exhibition catalog to “Ilya & Emilia Kabakov: Not Everyone Will be Taken Into the Future,” Tate Modern, London, October 18, 2017–January 28, 2018 .

3

Ilya Kabakov interviewed by Boris Groys, in Boris Groys: Dialogues (German Titov, 2010), 98.

4

Ilya Kabakov, “On Total Installation,” in Russian Postmodernism: New Perspectives on Post-Soviet Culture (Berghahn Books, 1999), 24.

5

Here Kabakov ironically uses the slang word “kartinshik” (literally a person who makes “kartini”—“paintings” or “pictures”), which in the context of the Soviet underground carries the negative connotation of a commercial artist.