Issue #144 Ten Lessons in Clairaudience

Ten Lessons in Clairaudience

Daniel Muzyczuk

144_muzyczuk_04

Simone Forti, Past Future, 2013. Pencil on paper. Collection of Muzeum Sztuki, Łódź, Poland. Courtesy of the artist and The Box LA.

Issue #144
April 2024










Notes
1

Oliver, Poetry and Narrative in Performance (Macmillan, 1989), 19.

2

Notley, Telling the Truth as It Comes Up: Selected Talks & Essays 1991–2018 (Song Cave, 2023), 131.

3

In Feldman, Essays, ed. Walter Zimmermann (Beginner Press, 1985), 144.

4

Spicer, My Vocabulary Did This to Me, ed. Peter Gizzi and Kevin Killian (Wesleyan University Press, 2008), 303.

5

Jaynes, The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976; Mariner Books, 2000), 73.

6

“Automatic Writing” in Ashley, Outside of Time: Ideas about Music, ed. and trans. Ralf Dietrich (Musiktexte, 2009), 590.

7

“13 Ways of Looking at AI, Art & Music,” Unsound Dispatch, December 15, 2023 .

8

Duncan, The H.D. Book, ed. Michael Boughn and Victor Coleman (University of California Press, 2011), 56–57.

9

Telling the Truth as It Comes Up, 131.