China Miéville, The City & The City (New York: Del Rey, 2009), 22.
Tobias Rehberger in “Does Venice still matter? Matthew Slotover, Hans Ulrich Obrist, Tobias Rehberger and others on the Biennale,” The Art Newspaper, May 29, 2009 (emphasis added), →.
Tomas Maldonado, “Diseño Industrial, Presente y Futuro,” in Es la Arquitectura un Texto? y otros escritos (Buenos Aires: Ediciones Infinito, 2004), 95. Author’s translation.
Andrea Branzi, “Radical Architecture,” in Andrea Branzi: The Complete Works (London: Thames & Hudson, 1992), 38.
Andrea Branzi, “A Homeless Country: Experimental Models for the Domestic Space,” in Italy: Contemporary Domestic Landscapes 1945–2000, ed. Giampiero Bosoni (Milan: Skira, 2001), 157.
For this notion of moving from the sphere of production (with the factory as a governing metaphor) to the sphere of reception, see Herbert Muschamp’s “Reception Rooms,” in The Work of Ettore Sottsass and Associates, ed. Milco Carboni (New York: Universe Publishing, 1999).
See Michel de Certeau, The Practice of Everyday Life, vol. 1, trans. Steven Rendell (Berkeley: University of California Press, 1984).
The tactical interiors thesis was generated through collaborative research, experiments, and conversations undertaken with Ernesto Oroza.