Okwui Enwezor, “The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition,” in Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity, ed. Okwui Enwezor et al. (Duke University Press), 208.
Enwezor, “Postcolonial Constellation,” 209.
Patrick Flores, keynote address at “Shifting Grounds, New Horizons: Thinking and Doing Contemporary Southeast Asian Art Now,” Monash University, November 3, 2022. For a video of the lecture, see →.
See the works of the poet-theorist Merlinda Bobis on passage: “‘Weeping is Singing’: After the War, a Transnational Lament,” in At the Limits of Justice: Women of Colour on Terror, ed. Suvendrini Perera and Sharlene H. Razack (University of Toronto Press, 2014); Accidents of Composition (Spinifex Press, 2017); and The Kindness of Birds (Spinifex Press, 2021).
Patrick Flores, “Turns in Tropics: Artist-Curator,” The 7th Gwangju Biennale: Annual Report—A Year in Exhibitions (Gwangju Biennale Foundation, 2008).
David Medalla, “London Biennale: The Beginning,” 1F mediaproject, February 2, 2010 →.
Aicon, MMMMMMM … MANIFESTO (David Medalla, 1965, giclee print on canvas), photograph of the transcript, 2010.
I benefitted here from a conversation with the artist Latipa, September 11, 2024.
Quoted in Guy Brett, Exploding Galaxies: The Art of David Medalla (Third Text Publications, 1995), 31.
