Notes
1
See Jacques Rancière, “Racism: A Passion from Above,” at →.
2
This is also why resistance comes first from these devastated places.
3
Giorgio Agamben, “What Is the Contemporary,” in What Is an Apparatus? (Stanford: Meridian, 2009), 45.
4
Giorgio Agamben, “Qu’est-ce que le contemporain,” in Nudités (Paris: Payot et Rivages, 2009), 28. A close reading of this phrase with reference with its resonances to cinematic and video projection seems urgent as well, but cannot be accomplished within the scope of this text.
5
He forgot where it was published.
© 2011 e-flux and the author