Brigitte Werneburg, “Lieber artig als großartig” Tageszeitung, April 5, 2008. See →.
See Juliane Rebentisch, "Im Glashaus," Texte zur Kunst, no.70 (June 2008), p. 230–33; and "From One Island to Another — Conversation between Juliane Rebentisch and Renée Green," in Renée Green, Ongoing Becomings — Retrospective 1989-2009 (Lausanne and Zürich: Musée cantonal des Beaux Arts Lausanne / JRP Ringier, 2009, 72–85.
“Radicalism and art are a contradiction of terms to American museum culture (academic Puritan agitprop of the Hans Haacke variety notwithstanding). It will be a cold day in hell when you see a major American museum mount a show of the cultural production of the Weather Underground or Black Panthers. The Situationists are OK; they're French.” Mike Kelley, “Death and Transfiguration,” in John C. Welchman, ed., Foul Perfection (Cambridge, MA: MIT Press, 2003), 145.
See Michael Krebber—Apothekermann, ed. Karola Grässlin and Susanne Pfleger (Cologne: Verlag der Buchhandlung Walther König, 2000); and Michael Krebber, Außerirdische Zwitterwesen / Alien Hybrid Creatures (Cologne: Verlag der Buchhandlung Walther König, 2008).
See Yilmaz Dziewior, Cosima von Bonin—Bruder Poul sticht in See (Cologne: Du Mont, 2002).
Florian Illies, “Aufruf zum Vatermord,” Die Zeit, January 31, 2010. See →.
In Germany in 2010 and 2011, a series of cases of systematic and epidemic child abuse were discussed with a great deal of publicity. They were alleged to have occurred since World War II in two very different places: repressive educational institutions, especially those of the Catholic Church but of other churches as well, and elite liberal boarding schools like the Odenwaldschule, which subscribed to liberal, progressive educational ideals.
Craig Owens, “Posing,” in Beyond Recognition: Representation, Power, and Culture (Berkeley: University of California Press, 1992), 201–217.
Translated from the German by James Gussen.
An earlier version of these themes has been discussed in a lecture at the Academy of Fine Arts in Dresden, at the invitation of Su-Ran Sichling and Peter Bömmels.