Issue #28 Eupalinos and the Duck: Conceptualism in Recent Architecture

Eupalinos and the Duck: Conceptualism in Recent Architecture

Mona Mahall

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Issue #28
October 2011










Notes
1

Michel Foucault, “Andere Räume,” in Aisthesis, ed. Karlheinz Barck (Leipzig: Wahrnehmung heute, 1990.

2

See . See also Peter Sloterdijk, Im Innenraum des Kapitals (Franfurt: M. Suhrkamp, 2005).

3

See .

4

Paul Valéry, Über Kunst (Franfurt: M. Suhrkamp, 1959), 46.

5

Paul Valéry, Monsieur Teste (New York: A. A. Knopf, 1948), 58.

6

Paul Valéry, “Liberté de l’Esprit,” in Regards sur le monde actuel (Paris: Delamain et Boutelleau, 1931), 264.

7

Vaéry, Über Kunst, 148.

8

Ibid., 58.

9

Paul Valéry, Eupalinos oder der Architekt, trans. Rainer Maria Rilke (Frankfurt: M. Suhrkamp, 1973), 69.

10

Ibid., 82.

11

Valéry, Eupalinos, 88.

12

James Merrill, “Lost in Translation,” in The New Yorker Magazine (April 8, 1974). See . For an English translation of the epigraph, see .

13

Robert Venturi and Denise Scott Brown, Architecture as Signs and Systems for a Mannerist Time (Cambridge: Harvard UP, 2004), 1.

14

Ibid., 9.

15

Ibid., 12.

16

Ibid., 73.

17

Robert Venturi, Denise Scott Brown, and Steven Izenour, Learning from Las Vegas: The forgotten Symbolism of Architectural Form (Cambridge: The MIT Press, 1977), 87.

18

Jay Merrick, “The Death of Architecture,” in The Independent (4 April 2011). See .

19

Lucy Lippard, Reconsidering the Object of Art: 1965-1975, (Cambridge: The MIT Press, 1995).

20

Lucy Lippard and John Chandler, “The Dematerialization of Art,” in Art International Vol. XII, No. 2 (1968).