Issue #36 Animism: Notes on an Exhibition

Animism: Notes on an Exhibition

Anselm Franke

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Issue #36
July 2012










Notes
1

Edward Tylor, Primitive Culture, 2 vols., (London: John Murray, 1871).

2

See Avery Gordon Ghostly Matters: Haunting and the Sociological Imagination (Minneapolis, MN: University of Minnesota Press, 2004).

3

Fredric Jameson, Late Marxism: Adorno, or, the Persistence of the Dialectic

4

Nurit Bird-David, “Animism Revisited: Personhood, Environment, and Relational Epistemology,” Current Anthropology 40 (1991): 67–91.

5

Michael Taussig, Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing (Chicago: University of Chicago Press, 1987), 219.

6

Avery Gordon, ibid.

7

See Barbara Ehrenreich:, Dancing in the Streets. A History of Collective Joy (New York: Metropolitan Books, 2006).

8

See Eisenstein on Disney, ed. Jay Leyda (Calcutta: Seagull Books, 1986),); and Sergei Eisenstein, Disney, ed. Oksana Bulgakowa, trans. Dustin Condren (Berlin: PotemkinPress, 2010). Excerpted in Animism Volume I, ed. Anselm Franke (Berlin: Sternberg Press, 2010), 118.

9

Marcel Broodthaers, “Un Autre Monde,” Le Patriote illustré 10 (March 1958).

10

John Berger, “Why Look at Animals?,” About Looking (New York: Pantheon, 1980), 5.

11

Walter Benjamin, “Grandville, or the World Exhibitions,”The Arcades Project, trans. Howard Eiland and Kevin McLaughlin (Cambridge, MA: Belknap Press of Harvard University Press, 1999), 8.

12

Herbert Marcuse, The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (Boston: Beacon Press, 1978), 73.