Let All Mortal Flesh Keep Silence, Divine Liturgy of St. James, 4th Century A.D.
Mike Kelley, Foul Perfection: Essays and Criticism (Cambridge, MA: MIT Press, 2002), 101.
“Speculum musicae,” in Music, Words and Voice: A Reader, ed. Martin Clayton Coussemaker (Manchester, UK: Manchester Univ. Press Music, 2008).
13th Century papal decree, Pope John XXII.
Not for Sale: Noise Panel, 2009. Artists Space, organized by Mark Beasley, Performa 09, NYC.
Mike Kelley in conversation with Lee Ranaldo and Mark Beasley, Performa 09: Back to Futurism, (Performa publications: 2010).
“Carly Mike Kelley: An Interview,” Carly Berwick, Art in America, (Nov. 2009)
“To the Throne of Chaos Where The Thin Flutes Pipe Mindlessly.” See →.
Nicole Rudick et al., Return of the Repressed:Destroy All Monsters 1973–1977 (New York: PictureBox, 2011).
“To the Throne of Chaos Where The Thin Flutes Pipe Mindlessly.”
Nicole Rudick et al., Return of the Repressed: Destroy All Monsters 1973-1977, (New York: PictureBox, 2011).
Mike Kelley, Catholic Tastes, Whitney Abrams, 1993.
“To the Throne of Chaos Where The Thin Flutes Pipe Mindlessly.”
Carly Berwick, “Mike Kelley: An Interview by Carly Berwick,” Art in America (Nov. 2009) 170–175.
Mike Kelley, Tony Oursler, Poetics Project, (Watari-UM, 1997).
Mike Kelley, Tony Oursler, Poetics Project, (Watari-UM, 1997) See →.
Wintersole also appears in the performance work Confusion(1982), and a component slide presentation titled An Actor Portrays Boredom and Exhibits His Knick Knack Collection, which shows a sequence of images of the actor with his frog collection assembled on a table.
Memory, Art 21 interview with Mike Kelley, Youtube, PBS, 2005.
EAPR#2 (Party Train), Day is Done: A Film by Mike Kelley, Microcinema, 2009.
The extended version of this text is to appear in a forthcoming publication on The Voice in Performance. The research and subsequent publication is a result of the practice-led Fine Art Ph.D program at Reading University, UK.