On Art Activism

Boris Groys

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Issue #56
June 2014










Notes
1

Immanuel Kant, Critique of the Power of Judgment, ed. Paul Guyer (Cambridge: Cambridge University Press 2000), 90–91.

2

F. T. Marinetti, “The Foundation and Manifesto of Futurism,” in Critical Writings (New York: Farrar, Strauss and Giroux, 2006), 11–17.

3

Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction,” Illuminations (New York: Schocken, 1992).

4

Kazimir Malevich, “On the Museum,” in Essays on Art, vol. 1 (New York: George Wittenborn, 1971), 68–72.

5

Kazimir Malevich, “God is Not Cast Down,” ibid., 188–223.

6

Walter Benjamin, “Ueber den Begriff der Geschichte,” in Gesammelte Schriften, vol. 1–2 (Frankfurt am Main: Suhrkamp Verlag, 1974).

7

Michel Foucault, The Birth of Biopolitics: Lectures at the Collège de France 1978–1979 (New York: Palgrave Macmillan, 2008), 215ff.

8

Ibid., 226.

9

Joseph Beuys, Kunst=Kapital (Wangen/Allgäu: FIU-Verlag, 1992).

10

Leon Trotsky, Literature and Revolution, ed. William Keach (Chicago: Haymarket Books, 2005), 207.