e-fluxJournalSubscribeThe Revolution Is Dead—But Long Lives the State!Coco FuscoJuan Carlos Cremata’s production of The King Exits, a play by Ionesco, was recently censored in Cuba. Issue #65May 2015Notes1See →.2Lillian Guerra, Visions of Power: Revolution, Redemption and Resistance, 1959–1971 (Chapel Hill, NC: UNC Press, 2014).3See →.4See →.5See →.6See →.7See →.8See →.9See →.© 2015 e-flux and the author