Issue #77 Digital Provenance and the Artwork as Derivative

Digital Provenance and the Artwork as Derivative

McKenzie Wark

77_Wark_1

Installation view TOTAL PROOF: The GALA Committee 1995-1997, Red Bull Studios New York, 2016. Photo: GALA Committee/Red Bull Studios New York

Issue #77
November 2016










Notes
1

Hito Steyerl, “If You Don’t Have Bread, Eat Art!” e-flux Journal 76 (October 2016) .

2

See .

3

Walter Benjamin, The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media (Cambridge, MA: Harvard University Press, 2008).

4

Hito Steyerl, “In Defense of the Poor Image,” e-flux journal 10 (November 2009) .

5

Jean Baudrillard, Simulations (Los Angeles: Semiotext(e), 2016).

6

Eli Rosenburg, “Banksy Identified by Scientists. Maybe,” New York Times, March 7, 2016 .

7

See .

Originally presented at K-Art Conversations, Korea International Art Fair 2016. Thanks to Jonathan Watkins and Korea Arts Management Service.