Sven Lütticken, “Legal Forms, Value Forms, Forms of Resistance,” Hearings: The Online Journal of Contour Biennale, January 12, 2017 →.
Elizabeth A. Povinelli, Geontologies, a Requiem for Late Liberalism (Durham: Duke University Press, 2016).
Vivian Ziherl, “On the Frontier, Again,” e-flux journal 73 (May 2016) →.
See →. “Survivance” is a term advanced by Anishinaabe cultural theorist Gerald Vizenor in his book Manifest Manners: Narratives on Postindian Surviviance (Lincoln: University of Nebraska Press, 1999).
Kojin Karatani, The Structure of World History: From Modes of Production to Modes of Exchange (Durham: Duke University Press, 2014), xix.
Karl Marx, “Chapter Twenty-Six: The Secret of Primitive Accumulation,” Capital, vol. 1, 1867.
Sylvia Federici, Caliban and the Witch: Women, the Body and Primitive Accumulation (Oakland: AK Press, 2004).
Denise da Silva, “1 (life) ÷ 0 (blackness) = ∞ − ∞ or ∞ / ∞: On Matter Beyond the Equation of Value,” e-flux Journal 79 (February 2017) →. Fred Moten, In the Break: The Aesthetics of the Black Radical Tradition (Minneapolis: University of Minnesota Press, 2003); in particular, see the chapter “Resistance of the Object: Aunt Hester’s Scream.”
Glen Sean Couthard, Red Skins White Masks: Rejecting the Colonial Politics of Recognition, (Minneapolis: University of Minnesota Press, 2014).
Elizabeth A. Povinelli, Economies of Abandonment (Durham: Duke University Press, 2011).
The artist project Agency, by Kobe Matthys, studies the category of expressivity in the court case Sheldon and Barnes v. Metro-Goldwyn-Mayer, a dispute over artists’ rights and property in 1930s.
Martti Koskenniemi, “Colonization of the ‘Indies’—The origin of international law,’ lecture at the University of Zaragoza, December 2009.
Ibid.
See →.
Marx, Grundrisse, 1857.
The Anglo-Althusserian focus upon “articulation” in fact emerged out of Althusser’s reception of Mao’s On Contradiction, where it indicated a conjunction between modes of production.
Dedicated with a huge debt of thanks to the Al-Ma’mal Foundation in Jerusalem and Karrabing Film Collective in Belyuen. Particular scholarly thanks to Denise Ferreira da Silva and Elizabeth A. Povinelli, and in particular for da Silva's pointer to de Vitoria. Thanks to Stephen Squibb and Quentin Sprague for further editing, to Ziga Testen for graphic design, as well as to Yumi Maes for enabling the time out with writing. An earlier edition of the Fourfold Articulation schema appears within Feminist Takes by Antonia Majaca and tranzitdisplay, with thanks to Rachel O’Reilly and Jelena Vesic for editorial guidance there.