Notes
1
Daniel Zalewski, “The Hours,” New Yorker, March 12, 2012 →.
2
Henry Jenkins, Sam Ford, and Joshua Green, Spreadable Media (New York: NYU Press, 2013).
3
McKenzie Wark, “Digital Provenance and the Artwork as Derivative,” e-flux journal 77 (November 2016) →.
4
Randy Martin, Knowledge LTD (Philadelphia: Temple University Press, 2014).
5
Jerry Saltz, “Top Ten 2008,” Artnet →.
6
Adam Jasper and Sianne Ngai, “Our Aesthetic Categories: An Interview with Sianne Ngai,” Cabinet 43 (Fall 2011) →.
Originally presented at K-Art Conversations, Korea International Art Fair 2017. Thanks to everyone at Korea Arts Management Service.
© 2017 e-flux and the author