Jonathan Beller, “Numismatics of the Sensual, Calculus of the Image: The Pyrotechnics of Control,” Image & Narrative 6 (February 2003).
Allen Feldman, Archives of the Insensible: Of War, Photopolitics and Dead Memory (Chicago: University of Chicago Press, 2015).
Stefano Harney and Fred Moten, The Undercommons: Fugitive Planning and Black Study (Brooklyn: Minor Compositions, 2013).
Here I am mindful of and thankful for the work of Simone Browne and Katherine McKittrick, among others. See Simone Browne, Dark Matters: On the Surveillance of Blackness (Durham, NC: Duke University Press, 2015). See also Katherine McKittrick, “Mathematics Black Life,” The Black Scholar: Journal of Black Studies and Research 44, no. 2: 16–28.
Jonathan Beller, “Informatic Labor in the Age of Computational Capital,” Lateral 5 no. 1 (2016) →. Jonathan Beller, “The Programmable Image of Capital: M-I-C-I’-M’ and the World Computer,” Postmodern Culture 26 no. 2 (January 2016).
Jonathan Beller, The Message is Murder: Substrates of Computational Capital (London: Pluto Press, forthcoming 2017).
Nick Dyer-Witheford, “Red Plenty Platforms,” Culture Machine 14 (2013) →.
I am profoundly indebted to the members of ECSA for the co-development of many of the ideas articulated here. See →.