Patrick Haggard and Matthew R. Longo, “You Are What You Touch: How Tool Use Changes the Brain’s Representations of the Body,” Scientific American, September 7, 2010 →.
Bonnie Bainbridge Cohen, “An Introduction to Body-Mind Centering®,” bodymindcentering.com →.
Patrick Haggard and Matthew R. Longo, “You Are What You Touch: How Tool Use Changes the Brain’s Representations of the Body,” Scientific American, September 7, 2010 →.
Bonnie Bainbridge Cohen, “Touch and Movement,” June 19, 2012, bodymindcentering.com →.
Terri Jentz, Strange Piece of Paradise (Farrar, Straus and Giroux, 2006), 74.
Christian Keysers et al., “A Touching Sight: SII/PV Activation during the Observation and Experience of Touch,” Neuron 42, no. 2 (April 2004), 335–46 →.
Corinna Jola, “Do You Feel the Same Way Too?,” in Touching and Being Touched: Kinesthesia and Empathy in Dance and Movement, eds. Gabriele Brandstetter, Gerko Egert, and Sabine Zubarik (Berlin: De Gruyter, 2013).
Lisa Nelson, “Lisa Nelson: How Do You Make Dance?”, mnartists.org, November 24, 2014 →.
Lisa Nelson, “Before Your Eyes,” Vu du Corps: Lisa Nelson, Mouvement et Perception, Nouvelles de Danse #48-49, Brussels, Belgium, 2001 →.
Karen Carlo Ruhren, “Are Dancers’ Brains Wired Differently?,” Dance Magazine, August 7, 2017→.
Bainbridge Cohen, “An Introduction to Body-Mind Centering®.”
Andy Horwitz, “Visual Art Performance vs. Contemporary Performance,” Culturebot, November 25, 2011 →. Nina Horisaki-Christens, “Performing Between Action and Script,” Post, October 28, 2011 →. Claire Bishop, “Unhappy Day in the Art World?: De-skilling Theater, Re-skilling Performance,” Brooklyn Rail, December 10, 2011 →. Aaron Mattocks, “Performance at the Beginning of the 21st Century,” The Performance Club, October 2012 →.
Bainbridge Cohen, “An Introduction to Body-Mind Centering®.”
A version of this essay was first presented in lecture form as part of Half Straddle’s Here I Go, pt 2 of You, March 2017, The Kitchen, NYC.